1 00:00:00,000 --> 00:00:01,209 ♪♪ 2 00:00:13,012 --> 00:00:16,141 ♪ LOVE ♪ 3 00:00:16,224 --> 00:00:20,228 ♪ LOVE EXCITING AND NEW ♪ 4 00:00:20,311 --> 00:00:24,274 ♪ COME ABOARD ♪ 5 00:00:24,357 --> 00:00:28,653 ♪ WE'RE EXPECTING YOU ♪ 6 00:00:28,737 --> 00:00:32,115 ♪ AND LOVE ♪ 7 00:00:32,198 --> 00:00:36,786 ♪ LOVE IS LIFE'S SWEETEST REWARD ♪ 8 00:00:36,870 --> 00:00:40,457 ♪ LET IT FLOW ♪ 9 00:00:40,540 --> 00:00:44,961 ♪ IT FLOATS BACK TO YOU ♪ 10 00:00:45,044 --> 00:00:48,339 ♪ THE LOVE BOAT ♪ 11 00:00:48,423 --> 00:00:53,094 ♪ SOON WILL BE MAKING ANOTHER RUN ♪ 12 00:00:53,178 --> 00:00:56,431 ♪ THE LOVE BOAT ♪ 13 00:00:56,514 --> 00:01:00,810 ♪ PROMISES SOMETHING FOR EVERYONE ♪ 14 00:01:00,894 --> 00:01:03,313 ♪ SET A COURSE FOR ADVENTURE ♪ 15 00:01:03,396 --> 00:01:09,110 ♪ YOUR MIND ON A NEW ROMANCE ♪ 16 00:01:09,194 --> 00:01:13,156 ♪ AND LOVE ♪ 17 00:01:13,239 --> 00:01:17,118 ♪ LOVE WON'T HURT ANYMORE ♪ 18 00:01:17,202 --> 00:01:21,122 ♪ IT'S AN OPEN SMILE ♪ 19 00:01:21,206 --> 00:01:25,168 ♪ ON A FRIENDLY SHORE ♪ 20 00:01:25,251 --> 00:01:29,005 ♪ THE LOVE BOAT ♪ 21 00:01:29,088 --> 00:01:33,927 ♪ SOON WILL BE MAKING ANOTHER RUN ♪ 22 00:01:34,010 --> 00:01:42,310 ♪ WELCOME ABOARD, IT'S L-O-O-O-OVE ♪ 23 00:01:42,393 --> 00:01:44,395 ♪ WELCOME ABOARD, IT'S LOVE ♪ 24 00:01:50,109 --> 00:01:51,945 ♪ ♪ 25 00:02:03,039 --> 00:02:06,167 BOY, THEY SURE DON'T MAKE THEM LIKE THAT ANYMORE. 26 00:02:06,251 --> 00:02:08,878 YEAH, WORLD WAR II. 27 00:02:08,962 --> 00:02:10,880 THAT WAS MY WAR. [SIGHS, CHUCKLES] 28 00:02:10,964 --> 00:02:12,090 I WOULD HAVE LOVED TO HAVE SEEN ACTION, 29 00:02:12,173 --> 00:02:13,550 COMMANDED MY OWN SHIP. 30 00:02:13,633 --> 00:02:15,426 BUT, MERRILL, YOU WERE ONLY 8 YEARS OLD 31 00:02:15,510 --> 00:02:16,219 WHEN THE WAR ENDED. 32 00:02:16,302 --> 00:02:18,346 YES, BUT I WAS BIG FOR MY AGE. 33 00:02:18,429 --> 00:02:19,889 OH, WELL, I'M SURE YOU WOULD HAVE HAD A COMMAND, SIR. 34 00:02:19,973 --> 00:02:22,183 I MEAN, HECK, BACK THEN, EVERYBODY HAD A COMMAND. 35 00:02:22,267 --> 00:02:24,644 EVEN THE CAPTAINS OF GARBAGE SCOWS HAD COM-- 36 00:02:26,271 --> 00:02:28,565 BUT YOU WOULD HAVE RATED A BATTLESHIP, I'M SURE. 37 00:02:28,648 --> 00:02:30,525 CAN YOU IMAGINE WHAT IT WOULD HAVE BEEN LIKE 38 00:02:30,608 --> 00:02:33,236 IF THE PACIFIC PRINCESS HAD PULLED DUTY AS A TROOP-CARRIER? 39 00:02:33,319 --> 00:02:34,445 MM. 40 00:02:34,529 --> 00:02:35,989 WELL, FOR ONE THING, 40 YEARS AGO, 41 00:02:36,072 --> 00:02:38,408 WE WOULDN'T BE CARRYING AROUND GIRLS IN BIKINIS. 42 00:02:38,491 --> 00:02:40,994 WE'D BE CARRYING AROUND BATTLE GEAR. 43 00:02:45,832 --> 00:02:51,921 Man: DATELINE, MAY 6TH, 1945 -- THE PACIFIC PRINCESS GOES TO WAR 44 00:02:52,005 --> 00:02:56,259 WHILE GENERAL PATTON CONTINUES HIS RELENTLESS MARCH TO BERLIN. 45 00:02:56,342 --> 00:02:58,595 THOUSANDS OF AMERICA'S FINEST YOUNG MEN 46 00:02:58,678 --> 00:03:01,222 SAY GOOD-BYE TO WIVES AND TO SWEETHEARTS 47 00:03:01,306 --> 00:03:02,765 AS THEY BOARD THE PACIFIC PRINCESS 48 00:03:02,849 --> 00:03:04,267 FOR A TRIP ACROSS THE ATLANTIC 49 00:03:04,350 --> 00:03:08,146 AND A RENDEZVOUS WITH DESTINY. 50 00:03:08,229 --> 00:03:09,647 Gopher: OKAY, YOU MEN, LISTEN UP! 51 00:03:09,731 --> 00:03:10,773 "C" COMPANY, DECK "A." 52 00:03:10,857 --> 00:03:12,483 "B" COMPANY, DECK "C." 53 00:03:12,567 --> 00:03:15,028 "A" COMPANY, DECK "B." 54 00:03:15,945 --> 00:03:17,447 SOMEBODY MADE THIS HARDER THAN IT HAS TO BE. 55 00:03:17,530 --> 00:03:19,365 SIR, COULD YOU TELL ME WHERE COMPANY "C" IS AGAIN? 56 00:03:19,449 --> 00:03:22,118 "A" DECK, MIDSHIP, PORTSIDE. 57 00:03:22,201 --> 00:03:25,288 IN CASE YOU'RE WONDERING WHERE THAT IS, SIR, 58 00:03:25,371 --> 00:03:27,373 THAT'S THE MIDDLE OF THE SHIP ON THE LEFT. 59 00:03:27,457 --> 00:03:29,459 THESE NAVY GUYS TALK LIKE THEY FIGHT. 60 00:03:29,542 --> 00:03:31,085 THEY NEVER KNOW WHERE THEY'RE AIMING. 61 00:03:31,169 --> 00:03:32,337 COME ON, I'LL SHOW YOU. 62 00:03:33,212 --> 00:03:34,464 DOG FACE. 63 00:03:34,547 --> 00:03:36,132 -EXCUSE ME. -YO. OH. 64 00:03:36,215 --> 00:03:37,467 JUDY McCOY, U.S.O. DIRECTOR. 65 00:03:37,550 --> 00:03:39,260 OH, SURE, MS. McCOY. NICE TO MEET YOU. 66 00:03:39,344 --> 00:03:41,304 YES, WE'RE HEAR TO ENTERTAIN THE TROOPS ON THE WAY TO EUROPE. 67 00:03:41,387 --> 00:03:42,388 YEAH, WE'VE BEEN EXPECTING YOU. 68 00:03:42,472 --> 00:03:44,641 SAY, YOU AND YOUR GALS ARE BILLETED ON "B" DECK. 69 00:03:44,724 --> 00:03:46,267 HOPE YOU'LL BE COMFORTABLE THERE. 70 00:03:44,724 --> 00:03:46,267 THANK YOU. 71 00:03:46,351 --> 00:03:49,437 [MEN CHEERING, WHOOPING] 72 00:03:49,520 --> 00:03:51,022 HEY, SWEETHEART, YOU LOOKING FOR ME? 73 00:03:51,105 --> 00:03:52,148 DO I KNOW YOU? 74 00:03:52,231 --> 00:03:54,275 TIME IS SHORT. WAR IS HELL. 75 00:03:54,359 --> 00:03:55,610 WHAT ELSE DO WE NEED TO KNOW? 76 00:03:55,693 --> 00:03:59,113 GIRLS, GIRLS, REMEMBER THE REGULATIONS. 77 00:03:55,693 --> 00:03:59,113 HUH? 78 00:03:59,197 --> 00:04:00,823 NO FRATERNIZING WITH ENLISTED MEN 79 00:04:00,907 --> 00:04:02,784 OUTSIDE YOUR REGULAR U.S.O. DUTIES. 80 00:04:00,907 --> 00:04:02,784 [SIGHS] 81 00:04:02,867 --> 00:04:04,911 NOW, LET'S GO. COME ON. COME ON. 82 00:04:04,994 --> 00:04:07,330 OH! OH, OH! 83 00:04:07,413 --> 00:04:09,165 -LET'S GO. -OH! OH! 84 00:04:09,248 --> 00:04:10,750 -LET'S GO! -OHH! 85 00:04:10,833 --> 00:04:13,002 OH. 86 00:04:13,086 --> 00:04:14,337 COME BACK. 87 00:04:14,420 --> 00:04:16,172 ♪ ♪ 88 00:04:19,801 --> 00:04:22,136 CAN YOU TELL US WHERE THE PERFORMERS ARE STAYING? 89 00:04:22,220 --> 00:04:24,806 "B" DECK, MA'AM -- JUST FOLLOW THE SIGNS. 90 00:04:29,394 --> 00:04:31,688 DON'T FEEL BAD, CARL. YOU'RE DOING YOUR PART. 91 00:04:31,771 --> 00:04:33,356 SURE. 92 00:04:33,439 --> 00:04:36,693 THEY'RE RISKING THEIR LIVES, AND I'M TAP DANCING FOR FREEDOM. 93 00:04:39,153 --> 00:04:43,074 SHIELD UP, MY SOLDIER BOYS, BECAUSE LUPE ZAPATA... 94 00:04:43,157 --> 00:04:45,201 [CHEERS AND APPLAUSE] 95 00:04:45,284 --> 00:04:48,705 [MEN CHEERING, WHOOPING] 96 00:04:48,788 --> 00:04:50,665 WE'VE RESERVED THE ADMIRALTY SUITE FOR YOU, MS. VALDEZ. 97 00:04:50,748 --> 00:04:52,375 HOW BIG IS THE BED? 98 00:04:52,458 --> 00:04:55,211 [LAUGHTER, [CHEERS, AND APPLAUSE] 99 00:04:55,294 --> 00:04:58,464 BECAUSE I DO A LOT OF READING. 100 00:04:58,548 --> 00:05:01,384 [CHEERS AND APPLAUSE] 101 00:05:01,467 --> 00:05:02,552 -SMITH. -SIR! 102 00:05:02,635 --> 00:05:05,763 Merrill: WE HAVE 12 SOLDIERS ASSIGNED TO EACH STATE ROOM. 103 00:05:05,847 --> 00:05:08,558 HOW DO YOU JUSTIFY PUTTING ONE WOMAN IN THE ADMIRALTY SUITE? 104 00:05:08,641 --> 00:05:11,769 WELL, WITH ALL DUE RESPECT, SIR, THIS IS NOT JUST ANY WOMAN. 105 00:05:11,853 --> 00:05:15,064 THIS IS LUPE ZAPATA DE VEGA VALDEZ, 106 00:05:15,148 --> 00:05:16,941 ONE OF HOLLYWOOD'S BIGGEST STARS. 107 00:05:17,025 --> 00:05:21,612 [CHEERS AND APPLAUSE] 108 00:05:21,696 --> 00:05:23,614 I HATE TO TOOT MY OWN HORN... 109 00:05:21,696 --> 00:05:23,614 [LAUGHTER] 110 00:05:23,698 --> 00:05:27,744 BUT I GAVE UP A FANTASTIC PART IN "RETURN TO RIO" 111 00:05:27,827 --> 00:05:30,913 JUST TO LOVE AND PERFORM FOR MY BOYS. 112 00:05:30,997 --> 00:05:33,416 [CHEERS AND APPLAUSE] 113 00:05:33,499 --> 00:05:35,668 MAY I SHOW YOU TO YOUR CABIN? 114 00:05:35,752 --> 00:05:39,088 [MEN OOH] -YEAH, YEAH, YEAH! 115 00:05:39,172 --> 00:05:42,216 I SHOULD BE DOING IT. I'M THE CAPTAIN. 116 00:05:42,300 --> 00:05:44,552 THIS IS SO EXCITING. JUST THINK -- 117 00:05:44,635 --> 00:05:46,471 TWO MONTHS AGO, I WAS AN IOWA FARM GIRL, 118 00:05:46,554 --> 00:05:48,431 AND TODAY... 119 00:05:48,514 --> 00:05:51,142 I'M HELPING A MOVIE STAR GET DRESSED. 120 00:05:54,645 --> 00:05:58,107 THIS IS THE LAND OF OPPORTUNITY. 121 00:05:58,191 --> 00:05:59,567 [SHIP HORN BLARES] 122 00:06:08,868 --> 00:06:10,620 ♪ ♪ 123 00:06:16,417 --> 00:06:19,170 YOUR HOSPITALITY PACKAGES, COURTESY OF THE U.S.O.. 124 00:06:19,253 --> 00:06:24,467 EACH ONE HAS A BAR OF SOAP, SOME CHOCOLATE, AND A NAIL FILE. 125 00:06:24,550 --> 00:06:27,553 HEY, DOLL, MINE AIN'T GOT NO NAIL FILE. 126 00:06:30,223 --> 00:06:31,933 [INDISTINCT CONVERSATIONS] 127 00:06:37,230 --> 00:06:38,147 AAH. 128 00:06:38,231 --> 00:06:40,149 [FLASH CLICKS] 129 00:06:38,231 --> 00:06:40,149 AAH! AAH! 130 00:06:40,233 --> 00:06:41,818 [BLOWS] 131 00:06:41,901 --> 00:06:43,528 [SIGHS] 132 00:06:43,611 --> 00:06:45,613 NAME'S ASHLEY EVANS, LIBERTY MAGAZINE. 133 00:06:45,696 --> 00:06:46,989 YOU CAN CALL ME "ACE." 134 00:06:47,073 --> 00:06:48,616 CHARLES REYNOLDS, U.S. ARMY. 135 00:06:48,699 --> 00:06:50,118 EVERYBODY CALLS ME "CHIP." 136 00:06:50,201 --> 00:06:52,328 OKAY, CHIP, I'LL LEVEL WITH YOU -- 137 00:06:52,411 --> 00:06:54,330 THIS IS MY FIRST ASSIGNMENT. 138 00:06:54,413 --> 00:06:58,167 MY JOB IS TO COVER THE WAR FROM THE INSIDE OUT. 139 00:06:58,251 --> 00:06:59,335 LET ME ASK YOU A QUESTION, CHIP. 140 00:06:59,418 --> 00:07:00,253 SHOOT. 141 00:07:00,336 --> 00:07:03,214 WHAT MAKES A MAN LEAVE THE WARMTH OF HIS HOME 142 00:07:03,297 --> 00:07:04,882 TO CRAWL THROUGH THE BARBED WIRE 143 00:07:04,966 --> 00:07:07,844 WITH BULLETS WHIZZING OVER HIS HEAD, HUH? 144 00:07:07,927 --> 00:07:09,345 I WAS DRAFTED. 145 00:07:09,428 --> 00:07:10,429 [LAUGHS] 146 00:07:10,513 --> 00:07:12,140 HOW ABOUT YOU? 147 00:07:10,513 --> 00:07:12,140 ME? 148 00:07:12,223 --> 00:07:15,309 I'M 4-F -- BAD KNEES. 149 00:07:15,393 --> 00:07:17,353 POLO INJURY. 150 00:07:17,436 --> 00:07:18,521 OH, YEAH. 151 00:07:18,604 --> 00:07:20,857 POLO IS HELL. 152 00:07:20,940 --> 00:07:22,733 HEY. 153 00:07:20,940 --> 00:07:22,733 YEAH? 154 00:07:22,817 --> 00:07:24,527 SEE YOU IN THE CHOW LINE. 155 00:07:36,080 --> 00:07:37,999 THIS ONE AIN'T GOT NO GUM. 156 00:07:38,082 --> 00:07:41,002 I'D RATHER HAVE THE GUM THAN THE NAIL FILE. 157 00:07:41,085 --> 00:07:43,045 ♪ ♪ 158 00:07:48,134 --> 00:07:52,513 ANY SIGN OF JAPANESE WAR SHIPS, ENSIGN? 159 00:07:52,597 --> 00:07:56,017 SIR, THIS IS THE ATLANTIC. THE JAPANESE ARE IN THE PACIFIC. 160 00:07:56,100 --> 00:07:58,561 YOU'RE RIGHT. 161 00:07:58,644 --> 00:08:00,396 I KNOW HOW TO REMEMBER THAT. 162 00:08:00,479 --> 00:08:04,066 "JAPANESE" AND "PACIFIC" BOTH HAVE THE "P" IN THEM. 163 00:08:04,150 --> 00:08:06,903 [SIGHS] 164 00:08:04,150 --> 00:08:06,903 IT'S CLEVER, SIR. IT'S VERY CLEVER. 165 00:08:06,986 --> 00:08:09,780 I'D GIVE ANYTHING FOR SOME ACTION. 166 00:08:09,864 --> 00:08:13,576 I WANT A SHIP WITH 12-INCH GUNS AND A WAR ROOM! 167 00:08:13,659 --> 00:08:15,912 INSTEAD, I GOT A SHIP WITH A SWIMMING POOL AND -- 168 00:08:15,995 --> 00:08:17,580 AND DANCE FLOOR. 169 00:08:17,663 --> 00:08:18,623 YOU'RE RIGHT, SIR. 170 00:08:18,706 --> 00:08:19,916 BUT WHEN IT'S WAXED, 171 00:08:19,999 --> 00:08:21,834 IT'S A VERY DANGEROUS DANCE FLOOR. 172 00:08:25,838 --> 00:08:27,340 YOU'RE A GOOD MAN, ENSIGN. 173 00:08:36,390 --> 00:08:40,728 NEVER, EVER LEAVE THAT MAN ALONE ON THE BRIDGE. 174 00:08:42,688 --> 00:08:44,273 [ UPBEAT MUSIC PLAYS] 175 00:08:42,688 --> 00:08:44,273 Carl: AND KICK -- I'LL TELL YOU. 176 00:08:44,357 --> 00:08:45,733 STEP, TURN, HOLD. AGAIN. 177 00:08:45,816 --> 00:08:48,527 KICK, CHANGE, STEP, TURN. LAST TIME. 178 00:08:50,571 --> 00:08:52,990 [LAUGHS] THAT'S GREAT. 179 00:08:53,074 --> 00:08:54,951 APPLAUSE, APPLAUSE, APPLAUSE. 180 00:08:53,074 --> 00:08:54,951 MM-HMM. 181 00:08:55,034 --> 00:08:57,870 I'LL DO MY COSTUME CHANGE WHILE YOU SING YOUR SOLO. 182 00:08:57,954 --> 00:08:59,997 WE'LL BECOME A BIG HIT. WE'LL GET A BROADWAY SHOW, 183 00:09:00,081 --> 00:09:02,416 AND THEN -- 184 00:09:00,081 --> 00:09:02,416 AND THEN YOU'LL FORGET YOUR FRIENDS. 185 00:09:02,500 --> 00:09:04,085 ISAAC WASHINGTON! 186 00:09:02,500 --> 00:09:04,085 ISAAC! 187 00:09:04,168 --> 00:09:06,128 HEY! 188 00:09:04,168 --> 00:09:06,128 [LAUGHS] 189 00:09:06,212 --> 00:09:09,298 ALL RIGHT! CARL, TARA. 190 00:09:09,382 --> 00:09:11,133 WHAT THE HELL YOU DOING AROUND HERE. 191 00:09:11,217 --> 00:09:12,927 OH, I'M ON MY WAY BACK. 192 00:09:13,010 --> 00:09:16,514 I GOT THIS TERRIBLE URGE TO TAP-DANCE ON HITLER'S FACE. 193 00:09:16,597 --> 00:09:18,975 YEAH, I TRIED TO ENLIST, UH... 194 00:09:19,058 --> 00:09:20,810 BUT THEY WOULDN'T TAKE ME BECAUSE OF MY ASTHMA. 195 00:09:20,893 --> 00:09:22,645 I KEEP TELLING HIM THAT WHAT WE'RE DOING 196 00:09:22,728 --> 00:09:24,313 FOR THE U.S.O. IS JUST AS IMPORTANT. 197 00:09:24,397 --> 00:09:25,773 YEAH. 198 00:09:25,856 --> 00:09:27,775 YOU KNOW, COMBAT ISN'T ANY FUN. 199 00:09:27,858 --> 00:09:30,444 I MET A LOT OF GUYS THAT REALLY WANT TO HURT ME. 200 00:09:30,528 --> 00:09:32,154 OH, YEAH? 201 00:09:32,238 --> 00:09:33,531 WHAT SIDE WERE THEY ON? 202 00:09:34,198 --> 00:09:36,450 [LAUGHTER] 203 00:09:36,534 --> 00:09:37,660 ALL RIGHT. YOU'RE ALL RIGHT. 204 00:09:42,915 --> 00:09:45,293 BUT I SUPPOSE THE TOUGHEST THING ABOUT GOING OFF TO WAR 205 00:09:45,376 --> 00:09:50,673 IS LEAVING YOUR FRIENDS, FAMILY, AND SWEETHEARTS AT HOME, HUH? 206 00:09:50,756 --> 00:09:52,758 YOU KNOW, NAPOLEON'S MEN WERE LESS DEMORALIZED 207 00:09:52,842 --> 00:09:54,510 BY THEIR DEFEATS THAN THEY WERE 208 00:09:54,593 --> 00:09:56,137 THE SEPARATION FROM THINGS FAMILIAR. 209 00:09:56,220 --> 00:09:57,972 FASCINATING, HUH? 210 00:09:58,055 --> 00:09:59,307 ARE YOU GONNA EAT YOUR SPAM? 211 00:09:59,390 --> 00:10:00,516 [CHUCKLES] 212 00:10:09,066 --> 00:10:11,360 [GASPS] JANET! 213 00:10:11,444 --> 00:10:12,695 WHAT ARE YOU DOING HERE? 214 00:10:12,778 --> 00:10:13,988 DON'T YOU KNOW THIS IS AGAINST REGULATIONS? 215 00:10:14,071 --> 00:10:15,072 YOU'LL GET US BOTH IN A HEAP OF TROUBLE. 216 00:10:15,156 --> 00:10:16,532 I DON'T CARE. 217 00:10:16,615 --> 00:10:17,533 I JUST HAD TO SEE YOU, CHUCK. 218 00:10:17,616 --> 00:10:19,368 Man: HEY, DARLING! 219 00:10:19,452 --> 00:10:21,329 HOW ABOUT SOME MORE COFFEE OVER HERE, HUH? 220 00:10:21,412 --> 00:10:22,538 I'LL SEE YOU LATER. 221 00:10:26,625 --> 00:10:28,586 -WAY TO GO, CHIPPER. -[WHISTLES] 222 00:10:28,669 --> 00:10:30,713 -AW, JUST EAT YOUR SPAM. -[LAUGHS] 223 00:10:32,131 --> 00:10:33,758 I MEAN IT, TARA. 224 00:10:33,841 --> 00:10:36,052 YOU AND CARL HAVE THE CHEMISTRY THAT JUST WON'T QUIT. 225 00:10:36,135 --> 00:10:38,054 WELL, WE'VE BEEN TOGETHER A LONG TIME, 226 00:10:38,137 --> 00:10:41,891 EVER SINCE WE PLAYED SNOWFLAKES IN MRS. POTTER'S TAP RECITAL. 227 00:10:41,974 --> 00:10:43,934 OH, SO WHY HAVEN'T YOU TWO GOTTEN MARRIED? 228 00:10:44,018 --> 00:10:45,728 I MEAN, DOESN'T FRED ASTAIRE 229 00:10:45,811 --> 00:10:48,606 ALWAYS FALL FOR GINGER ROGERS IN THE MOVIES? 230 00:10:48,689 --> 00:10:51,233 WELL, I'M AFRAID MY FRED SEES HIS GINGER 231 00:10:51,317 --> 00:10:53,069 AS JUST A GOOD BUDDY. 232 00:11:04,747 --> 00:11:08,918 ONE, TWO, THREE, FOUR, ONE, TWO...THREE, FOUR! 233 00:11:09,001 --> 00:11:10,920 HI, CAPTAIN. 234 00:11:11,003 --> 00:11:14,090 I HAVE MADE THE ENLISTED MEN VERY HAPPY, 235 00:11:14,173 --> 00:11:17,760 AND NOW I AM READY TO POLISH THE BRASS. 236 00:11:14,173 --> 00:11:17,760 [CHUCKLES] 237 00:11:17,843 --> 00:11:19,261 MS. VALDEZ, I HOPE YOU'RE FINDING 238 00:11:19,345 --> 00:11:20,638 YOUR ACCOMMODATIONS PLEASANT. 239 00:11:20,721 --> 00:11:23,599 OOH, THE CABIN IS WONDERFUL. 240 00:11:23,682 --> 00:11:26,352 BUT I JUST DON'T UNDERSTAND WHY YOU HAVE 241 00:11:26,435 --> 00:11:28,938 THIS BEAUTIFUL OCEAN VIEW 242 00:11:29,021 --> 00:11:30,606 AND THOSE TINY-WEENY 243 00:11:30,689 --> 00:11:32,441 [SPEAKING SPANISH] WINDOWS. 244 00:11:32,525 --> 00:11:33,943 WELL, DON'T GET TOO COMFORTABLE. 245 00:11:34,026 --> 00:11:36,237 WE COULD BE UNDER ENEMY ATTACK AT ANY MOMENT. 246 00:11:36,320 --> 00:11:41,117 WELL, I HOPE WE DON'T RUN INTO A WOLF PACK OF U-BOATS 247 00:11:41,200 --> 00:11:44,078 BECAUSE ALL YOU HAVE IS ONE LITTLE ANTI-AIRCRAFT GUN. 248 00:11:44,161 --> 00:11:45,663 MY... 249 00:11:45,746 --> 00:11:47,248 FOR A SINGER AND A WOMAN, 250 00:11:47,331 --> 00:11:50,418 YOU SEEM TO KNOW A GREAT DEAL ABOUT COMBAT ARTILLERY. 251 00:11:51,710 --> 00:11:54,046 CAPTAIN, YOU FORGET -- I JUST PLAYED A CO-PILOT 252 00:11:54,130 --> 00:11:56,799 IN MY LATEST FILM, "30 SECONDS OVER RIO." 253 00:11:56,882 --> 00:11:58,801 Doc: DON'T YOU REMEMBER THAT GREAT SCENE, CAPTAIN? 254 00:11:58,884 --> 00:12:01,429 LUPE'S PLANE IS GOING DOWN IN FLAMES, 255 00:12:01,512 --> 00:12:04,265 THE PILOT IS DEAD, AND SHE SINGS 256 00:12:04,348 --> 00:12:06,809 "MY BOY, THE FLYBOY." 257 00:12:06,892 --> 00:12:09,145 OH, WHAT A MOMENT. 258 00:12:06,892 --> 00:12:09,145 WHAT A MOMENT. 259 00:12:11,063 --> 00:12:12,481 WHERE'S SHE FROM? 260 00:12:12,565 --> 00:12:14,442 BRAZIL. 261 00:12:14,525 --> 00:12:15,734 ARE THEY ON OUR SIDE? 262 00:12:22,032 --> 00:12:23,701 UH, MORE COFFEE, MISS? 263 00:12:27,246 --> 00:12:29,331 I CAN'T BELIEVE YOU'RE HERE. 264 00:12:29,415 --> 00:12:31,834 IT'S BEEN LIKE HELL WITHOUT YOU. 265 00:12:31,917 --> 00:12:33,961 GOLLY, SHE WAS ONLY GONE A MINUTE. 266 00:12:34,044 --> 00:12:35,212 [SIGHS] 267 00:12:35,296 --> 00:12:37,298 WE'VE GOT TO FIND SOME PLACE TO BE ALONE. 268 00:12:37,381 --> 00:12:38,549 WELL, I'LL SEE YOU TONIGHT AT THE DANCE. 269 00:12:38,632 --> 00:12:40,301 WE'LL FIGURE SOMETHING OUT. 270 00:12:47,183 --> 00:12:48,893 ♪ ♪ 271 00:13:13,876 --> 00:13:15,711 A SPY. 272 00:13:17,004 --> 00:13:18,797 I KNEW IT. 273 00:13:22,301 --> 00:13:24,303 ♪ ♪ 274 00:13:30,351 --> 00:13:33,062 I BET YOU HAD TO EAT A LOT OF POPSICLES TO GET ALL THESE. 275 00:13:33,145 --> 00:13:34,563 YEAH, MY TONGUE WAS PURPLE FOR MONTHS. 276 00:13:34,647 --> 00:13:36,273 [LAUGHS] 277 00:13:36,357 --> 00:13:38,734 LOOK, CARL, MY GUESS IS THAT THE CHANGE IN ATMOSPHERE 278 00:13:38,817 --> 00:13:41,237 HERE AT SEA CAUSED YOUR ASTHMA TO FLARE UP. 279 00:13:41,320 --> 00:13:42,780 THIS OUGHT TO KEEP IT UNDER CONTROL. 280 00:13:42,863 --> 00:13:44,740 THANKS, DOCTOR. 281 00:13:42,863 --> 00:13:44,740 YOU'RE WELCOME. 282 00:13:44,823 --> 00:13:47,076 I GUESS I THOUGHT IGNORING IT WOULD MAKE IT GO AWAY. 283 00:13:47,159 --> 00:13:49,245 NO, THAT ONLY WORKS WHEN YOU'RE PREGNANT. 284 00:13:49,537 --> 00:13:51,580 [BOTH LAUGH] 285 00:13:51,664 --> 00:13:53,332 GOOD-BYE, DOC. 286 00:13:51,664 --> 00:13:53,332 BYE-BYE, CARL. 287 00:13:56,168 --> 00:13:58,963 [DOOR CLOSES, OPENS] 288 00:13:59,046 --> 00:14:01,632 WHAT NOW, CARL? DID YOU FORGET YOUR LOLLIPOP? 289 00:14:17,690 --> 00:14:20,276 TONIGHT IN THE LOUNGE, ITED OR, IF YOU PREFER, 290 00:14:20,359 --> 00:14:24,113 THE FILM "THE G.I.'s HIDDEN ENEMY -- FOOT FUNGUS." 291 00:14:24,196 --> 00:14:26,198 ♪ ♪ 292 00:14:53,934 --> 00:14:55,936 ♪ ♪ 293 00:15:15,789 --> 00:15:18,626 LOOK FOR YOURSELF ON THE COVER OF LIBERTY MAGAZINE. 294 00:15:21,128 --> 00:15:22,796 HEY, IF YOU DIDN'T WANT YOUR PICTURE TAKEN, 295 00:15:22,880 --> 00:15:24,673 JUST TELL ME BEFORE I TAKE IT. 296 00:15:29,345 --> 00:15:32,514 CHIP, A-ARE YOU SORE AT ME FOR SNEAKING ONBOARD? 297 00:15:32,598 --> 00:15:34,308 IT'S JUST WHEN I SEE YOU, I GO CRAZY. 298 00:15:34,391 --> 00:15:36,018 I WANT TO HOLD YOU AND FEEL YOU. 299 00:15:36,101 --> 00:15:38,354 OH, I WISH YOU COULD TAKE ME AWAY FROM HERE. 300 00:15:38,437 --> 00:15:40,606 [SONG ENDS] 301 00:15:40,689 --> 00:15:42,650 [CHEERS AND APPLAUSE] 302 00:15:44,610 --> 00:15:45,986 [CHEERING] 303 00:15:50,240 --> 00:15:51,950 ♪ ♪ 304 00:15:55,120 --> 00:15:57,706 ♪ WHAT GOOD IS MELODY ♪ 305 00:15:57,790 --> 00:16:00,084 ♪ WHAT GOOD IS MUSIC ♪ 306 00:16:00,167 --> 00:16:04,588 ♪ IF IT AIN'T POSSESSING SOMETHING SWEET? ♪ 307 00:16:04,672 --> 00:16:07,591 ♪ IT AIN'T THE MELODY ♪ 308 00:16:07,675 --> 00:16:09,718 ♪ IT AIN'T THE MUSIC ♪ 309 00:16:09,802 --> 00:16:11,178 ♪ THERE'S SOMETHING ELSE ♪ 310 00:16:11,261 --> 00:16:15,724 ♪ THAT MAKES THE TUNE COMPLE-E-E-ETE ♪ 311 00:16:15,808 --> 00:16:17,768 ♪ ♪ 312 00:16:23,107 --> 00:16:25,025 All: ♪ IT DON'T MEAN A THING ♪ 313 00:16:25,109 --> 00:16:28,112 ♪ IF IT AIN'T GOT THAT SWING ♪ 314 00:16:28,195 --> 00:16:29,363 ♪ DOO-WOP, DOO-WOP ♪ 315 00:16:29,446 --> 00:16:30,280 ♪ DOO-WOP, DOO-WOP ♪ 316 00:16:30,364 --> 00:16:31,615 ♪ DOO-WOP, DOO-WOP ♪ 317 00:16:31,699 --> 00:16:32,700 ♪ DOO-WOP, DOO-WOP ♪ 318 00:16:32,783 --> 00:16:34,910 ♪ IT DON'T MEAN A THING ♪ 319 00:16:34,993 --> 00:16:38,205 ♪ ALL YOU GO TO DO IS SWING ♪ 320 00:16:38,288 --> 00:16:39,081 ♪ DOO-WOP, DOO-WOP ♪ 321 00:16:39,164 --> 00:16:40,040 ♪ DOO-WOP, DOO-WOP ♪ 322 00:16:40,124 --> 00:16:40,916 ♪ DOO-WOP, DOO-WOP ♪ 323 00:16:40,999 --> 00:16:42,876 ♪ DOO-WOP, DOO-WOP ♪ 324 00:16:42,960 --> 00:16:47,423 ♪ IT MAKES NO DIFFERENCE IF IT'S SWEET OR HOT ♪ 325 00:16:47,506 --> 00:16:50,926 ♪ JUST GIVE THAT RHYTHM EVERYTHING YOU'VE GOT ♪ 326 00:16:54,847 --> 00:16:56,932 ♪ IT DON'T MEAN A THING ♪ 327 00:16:57,015 --> 00:17:00,561 ♪ IF IT AIN'T GOT THAT SWING ♪ 328 00:17:00,644 --> 00:17:02,938 ♪ DOO-WOP, DOO-WOP, DOO-WOP, DOO-WOP ♪ 329 00:17:03,021 --> 00:17:05,441 ♪ DOO-WOP, DOO-WOP, DOO-WOP, DOO-WOP ♪ 330 00:17:05,524 --> 00:17:08,402 ♪ DOO-WOP, DOO-WOP, DOO-WOP, DOO-WOP, DOO-WOP ♪ 331 00:17:29,923 --> 00:17:32,468 -♪ COME ON, DOO-WOP ♪ -♪ REPEAT THE MELODY ♪ 332 00:17:32,551 --> 00:17:35,137 -♪ COME ON, DOO-WOP ♪ -♪ REPEAT THE MUSIC ♪ 333 00:17:35,220 --> 00:17:39,600 All: ♪ THERE'S SOMETHING ELSE THAT MAKES THIS TUNE COMPLETE ♪ 334 00:17:39,683 --> 00:17:41,643 ♪ ♪ 335 00:17:49,401 --> 00:17:51,278 ♪ IT DON'T MEAN A THING ♪ 336 00:17:51,361 --> 00:17:54,490 ♪ IF IT AIN'T GOT THAT SWING ♪ 337 00:17:54,573 --> 00:17:56,325 WHOO! 338 00:17:56,408 --> 00:17:57,951 [CHEERS AND APPLAUSE] 339 00:17:58,035 --> 00:18:00,287 ♪ DOO-WOP ♪ 340 00:18:00,370 --> 00:18:02,080 ♪ DOO-WOP ♪ 341 00:18:05,083 --> 00:18:07,211 ♪ IT DON'T MEAN A THING ♪ 342 00:18:07,294 --> 00:18:10,005 ♪ IF IT AIN'T ♪ 343 00:18:10,088 --> 00:18:12,841 ♪ GOT THAT SWI-I-I-I-I-NG ♪ 344 00:18:14,760 --> 00:18:15,969 YEAH! 345 00:18:16,053 --> 00:18:18,013 [CHEERS AND APPLAUSE] 346 00:18:31,276 --> 00:18:34,196 [MEN SHOUTING INDISTINCTLY] 347 00:18:34,279 --> 00:18:35,155 Man: ATTENTION! 348 00:18:35,239 --> 00:18:36,240 BREAK IT UP! 349 00:18:36,323 --> 00:18:38,867 WE'RE ALL ON THE SAME SIDE, REMEMBER? 350 00:18:38,951 --> 00:18:41,161 NOW, WHAT IS THIS SENSELESS SCUFFLE ALL ABOUT? 351 00:18:41,245 --> 00:18:43,413 I SAY THAT RITA HAYWORTH HAS BETTER LEGS 352 00:18:43,497 --> 00:18:45,207 THAN BETTY GRABLE, SIR. 353 00:18:45,290 --> 00:18:47,209 WELL, YOU'RE WRONG. CARRY ON. 354 00:18:47,292 --> 00:18:49,127 [MEN SHOUTING INDISTINCTLY] 355 00:18:54,299 --> 00:18:56,260 -YOU WANTED TO SEE ME, SIR? -YES. 356 00:18:56,343 --> 00:18:58,095 I NEED TO TALK TO SOMEONE I CAN TRUST. 357 00:19:00,472 --> 00:19:02,432 I THINK THERE IS MORE TO THIS MS. VALDEZ 358 00:19:02,516 --> 00:19:04,351 THAN MEETS THE EYE. 359 00:19:04,434 --> 00:19:06,937 I HAVE GOOD REASON TO BELIEVE THAT SHE IS AN ENEMY SPY. 360 00:19:07,020 --> 00:19:08,230 [Chuckling] A SPY, SIR? 361 00:19:08,313 --> 00:19:09,273 [LAUGHS] 362 00:19:10,274 --> 00:19:11,525 I SEE. 363 00:19:11,608 --> 00:19:13,986 WELL, WHY DON'T YOU HAVE HER ARRESTED, SIR? 364 00:19:14,069 --> 00:19:17,406 BECAUSE A SNAKE LIKE THAT NEVER WORKS ALONE. 365 00:19:17,489 --> 00:19:20,409 I WANT TO UNCOVER THE ENTIRE SLITHERING, SLIMY NEST. 366 00:19:20,492 --> 00:19:21,743 SIR... 367 00:19:21,827 --> 00:19:24,079 PLEASE, I JUST ATE. 368 00:19:24,163 --> 00:19:26,748 REMEMBER, NOT A WORD TO ANYONE. 369 00:19:26,832 --> 00:19:28,458 LOOSE LIPS SINK SHIPS. 370 00:19:28,542 --> 00:19:30,294 [MUMBLING] 371 00:19:38,176 --> 00:19:40,470 OH, I DON'T EVER WANT TO LET YOU GO. 372 00:19:40,554 --> 00:19:42,806 WELL, EVERYBODY'S AT THE DANCE. MY CABIN IS EMPTY. 373 00:19:42,890 --> 00:19:44,308 OH. 374 00:19:45,267 --> 00:19:46,894 JANET. 375 00:19:46,977 --> 00:19:48,937 I WARNED YOU ABOUT THIS EARLIER. 376 00:19:49,021 --> 00:19:51,231 IT IS AGAINST U.S.O. POLICY FOR OUR GIRLS 377 00:19:51,315 --> 00:19:52,941 TO BECOME INVOLVED WITH G.I.s. 378 00:19:54,693 --> 00:19:57,446 WELL, YOU MIGHT AS WELL KNOW THE TRUTH, MS. McCOY. 379 00:19:57,529 --> 00:19:59,156 THIS ISN'T JUST SOME SOLDIER BOY 380 00:19:59,239 --> 00:20:02,284 I PICKED UP ON THE DANCE FLOOR. 381 00:20:02,367 --> 00:20:04,494 CHIP IS MY HUSBAND. 382 00:20:04,578 --> 00:20:06,914 THAT'S IMPOSSIBLE. 383 00:20:06,997 --> 00:20:08,790 HAPPENS ALL THE TIME. 384 00:20:08,874 --> 00:20:11,251 A GUY MARRIES A GIRL AND BECOMES HER HUSBAND. 385 00:20:11,335 --> 00:20:13,795 WELL, I'M SORRY, B-BUT THERE ARE RULES. 386 00:20:13,879 --> 00:20:16,340 A SOLDIER CAN'T TAKE HIS WIFE ON A TROOP SHIP. 387 00:20:16,423 --> 00:20:17,799 WHAT ARE THEY GONNA DO, THROW US OVERBOARD? 388 00:20:17,883 --> 00:20:19,927 PLEASE, MS. McCOY. 389 00:20:20,010 --> 00:20:23,096 CHIP AND I WERE MARRIED THE DAY HE LEFT FOR BASIC TRAINING. 390 00:20:23,180 --> 00:20:24,765 WE THOUGHT WE'D HAVE SOME TIME TOGETHER 391 00:20:24,848 --> 00:20:26,475 BEFORE HE SHIPPED OUT, 392 00:20:26,558 --> 00:20:29,436 BUT HIS ORDERS GOT PUSHED UP. 393 00:20:29,519 --> 00:20:32,314 [SIGHS] WHAT SHE'S TRYING TO SAY IS WE, UH -- 394 00:20:32,397 --> 00:20:34,316 WE HAD THE CAKE AND THE RICE, BUT WE NEVER MADE IT TO THE HOTEL. 395 00:20:34,399 --> 00:20:35,943 OH. 396 00:20:36,026 --> 00:20:38,779 DON'T YOU THINK UNCLE SAM OWES US A HONEYMOON NIGHT? 397 00:20:41,073 --> 00:20:44,451 DO YOU EVER THINK ABOUT GETTING BACK INTO SHOW BUSINESS? 398 00:20:44,534 --> 00:20:47,329 WELL, THE ARMY HAS SUCH GREAT THINGS TO OFFER, 399 00:20:47,412 --> 00:20:49,873 GOOD PAY, NICE CLOTHES, 400 00:20:49,957 --> 00:20:53,001 A FREE TRIP TO BERLIN. 401 00:20:49,957 --> 00:20:53,001 ISAAC... 402 00:20:53,085 --> 00:20:57,339 YOU KNOW I WANT TO BE PART OF THE FIGHT FOR FREEDOM. 403 00:20:57,422 --> 00:21:00,509 CARL, IF I COULD SWITCH PLACES WITH YOU, I WOULD. 404 00:21:00,592 --> 00:21:03,345 SO DO IT. 405 00:21:03,428 --> 00:21:04,805 WHAT ARE YOU TALKING ABOUT? 406 00:21:04,888 --> 00:21:06,515 WHEN THIS SHIP DOCKS IN ENGLAND, 407 00:21:06,598 --> 00:21:09,601 YOU GET OFF AS CARL TYSDELL, SONG AND DANCE MAN. 408 00:21:09,685 --> 00:21:12,688 I'LL GET OFF AS ISAAC WASHINGTON, WAR HERO. 409 00:21:12,771 --> 00:21:14,481 CARL, YOU'RE CRAZY. 410 00:21:14,564 --> 00:21:16,483 NOW, SOONER OR LATER, SOMEBODY WOULD FIND OUT. 411 00:21:16,566 --> 00:21:18,193 ISAAC... 412 00:21:18,276 --> 00:21:21,989 YOU'VE HAD YOUR CHANCE TO DO YOUR DUTY. 413 00:21:22,072 --> 00:21:23,699 GIVE ME MY CHANCE TO DO MINE. 414 00:21:36,795 --> 00:21:38,046 Lupe: ...THE COURSE OF THE SHIP 415 00:21:38,130 --> 00:21:40,924 FROM THE CHARTS IN THE CAPTAIN'S OFFICE. 416 00:21:41,008 --> 00:21:43,051 Man: [German accent] EXCELLENT, LIEBCHEN. 417 00:21:43,135 --> 00:21:45,053 YOUR EFFORTS ON BEHALF OF OF THE GESTAPO 418 00:21:45,137 --> 00:21:48,223 WILL BE HANDSOMELY REWARDED. 419 00:21:48,307 --> 00:21:51,059 IT WAS A PIECE OF CAKE -- SO EASY. 420 00:21:51,143 --> 00:21:54,730 I COPIED DOWN THE COURSE OF THE SHIP 421 00:21:54,813 --> 00:21:57,733 FROM THE CHARTS IN THE CAPTAIN'S OFFICE. 422 00:21:57,816 --> 00:21:59,192 [German accent] EXCELLENT, LIEBCHEN. 423 00:21:59,276 --> 00:22:01,903 YOUR EFFORTS ON BEHALF OF THE GESTAPO 424 00:22:01,987 --> 00:22:03,739 WILL BE HANDSOMELY REWARDED. 425 00:22:03,822 --> 00:22:05,574 I HOPE SO, KLAUS. 426 00:22:05,657 --> 00:22:09,745 I HOPE SO BECAUSE I AM RISKING ONE HECK OF A MOVIE CAREER. 427 00:22:09,828 --> 00:22:13,582 ONCE I RADIO THIS SHIP'S POSITION TO THE U-BOATS, 428 00:22:13,665 --> 00:22:15,751 WE WILL MAKE OUR ESCAPE. 429 00:22:15,834 --> 00:22:19,880 AND THEN, WE WILL SINK THIS SHIP. 430 00:22:19,963 --> 00:22:20,672 SEHR GUT. 431 00:22:21,965 --> 00:22:23,216 THAT'S WHAT YOU THINK! 432 00:22:23,300 --> 00:22:24,885 [DOOR SLAMS] 433 00:22:26,762 --> 00:22:27,763 DR. BRICKER. 434 00:22:27,846 --> 00:22:31,558 WELL, HI, CAPTAIN. 435 00:22:33,143 --> 00:22:35,437 WHAT'S GOING ON HERE. 436 00:22:35,520 --> 00:22:38,398 WELL, UH, LUPE AND I WERE JUST REMEMBERING 437 00:22:38,482 --> 00:22:40,275 MY FAVORITE SCENE FROM "U-BOATS TO RIO." 438 00:22:41,943 --> 00:22:44,196 "U-BOATS TO RIO"! 439 00:22:45,238 --> 00:22:47,616 I MUST HAVE SEEN THAT FILM 20 TIMES. 440 00:22:47,699 --> 00:22:48,909 OH. 441 00:22:48,992 --> 00:22:51,328 I'M AFRAID I MISSED THAT ONE. 442 00:22:51,411 --> 00:22:53,789 THAT IS TOO BAD. IT WAS SUCH A GOOD MOVIE. 443 00:22:53,872 --> 00:22:56,792 I STOLE THE SHOW AS A NAVY NURSE FORCED 444 00:22:56,875 --> 00:22:58,168 TO WORK FOR THE NAZIS. 445 00:22:58,251 --> 00:23:00,962 I HAD TO ROLL BANDAGES 446 00:23:01,046 --> 00:23:03,256 FOR GOERING THE PIG! EUGH. 447 00:23:04,591 --> 00:23:05,967 I SEE. 448 00:23:07,594 --> 00:23:09,679 WELL, I'LL BE ON MY WAY. 449 00:23:09,763 --> 00:23:13,433 OH, I, UH, I-I BORROWED THIS, UM, FROM YOUR OFFICE. 450 00:23:13,517 --> 00:23:14,810 UH... 451 00:23:14,893 --> 00:23:17,270 JUST TESTING THE HULL FOR ANY SOUNDS OF STRESS. 452 00:23:20,023 --> 00:23:21,900 CARRY ON. 453 00:23:28,907 --> 00:23:30,283 [SIGHS] 454 00:23:30,367 --> 00:23:33,620 WELL, KLAUS, THAT WAS A CLOSE ONE. 455 00:23:33,703 --> 00:23:35,956 [German accent] WE MUST BE MORE CAREFUL, LIEBCHEN. 456 00:23:36,039 --> 00:23:38,834 ALL RIGHT, WE HAVE OUR ORDERS. 457 00:23:38,917 --> 00:23:42,212 THIS SHIP MUST NEVER REACH ENGLAND. 458 00:23:42,295 --> 00:23:43,839 JA, WOHL! 459 00:23:43,922 --> 00:23:45,924 SEHR GUT. 460 00:23:55,433 --> 00:23:57,310 ♪ ♪ 461 00:24:02,774 --> 00:24:04,860 IF YOU'RE NERVOUS, COUNT YOUR TOES. 462 00:24:04,943 --> 00:24:07,529 I'LL DO THE MASTERMINDING AROUND HERE. 463 00:24:08,321 --> 00:24:10,532 WOW, SPIES EVERYWHERE -- 464 00:24:10,615 --> 00:24:12,659 YOU NEVER KNEW WHO YOUR FRIENDS WERE. 465 00:24:12,742 --> 00:24:14,161 WHAT A HERO. 466 00:24:14,244 --> 00:24:17,330 I'D LET JOHN WAYNE LEAD MY MOTHER INTO BATTLE. 467 00:24:17,414 --> 00:24:18,748 JOHN WAYNE? WAIT, WHAT, HOLD IT. 468 00:24:18,832 --> 00:24:20,375 WAIT A MINUTE, WHAT HAPPENED TO JEFF CHANDLER? 469 00:24:20,458 --> 00:24:22,669 THAT WAS OVER WITH 20 MINUTES AGO. 470 00:24:22,752 --> 00:24:25,088 THIS IS "SANDS OF IWO JIMA." WHERE'VE YOU BEEN? 471 00:24:25,172 --> 00:24:26,882 OH. 472 00:24:26,965 --> 00:24:28,550 I WAS THINKING ABOUT THE PRINCESS AS A TROOP SHIP, 473 00:24:28,633 --> 00:24:31,469 YOU KNOW, WITH THE G.I.s AND THE U.S.O. GIRLS 474 00:24:31,553 --> 00:24:33,722 AND THE KHAKI AND THE K-RATIONS 475 00:24:33,805 --> 00:24:36,099 AND THE SUBMARINES AND THE PERISCOPES -- 476 00:24:36,183 --> 00:24:37,559 Shh! 477 00:24:41,479 --> 00:24:42,856 WAR BONDS. 478 00:24:45,483 --> 00:24:48,069 Men: [Chanting] LEFT, LEFT, RIGHT, LEFT. 479 00:24:48,153 --> 00:24:51,698 LEFT, LEFT, LEFT, RIGHT, LEFT. 480 00:24:51,781 --> 00:24:55,243 LEFT, LEFT, LEFT, RIGHT, LEFT. 481 00:25:00,165 --> 00:25:01,750 UH, EXCUSE ME. JUST A FEW MORE QUESTIONS. 482 00:25:01,833 --> 00:25:03,210 UH, IS IT TRUE THAT, IN THE ARMY, 483 00:25:03,293 --> 00:25:05,003 THEY TEACH YOU HOW TO KILL WITH YOUR BARE HANDS? 484 00:25:05,086 --> 00:25:07,923 WHY, DO YOU WANT TO DIE? 485 00:25:08,006 --> 00:25:09,591 OKAY, THAT'S ABOUT ALL THE QUESTIONS I HAVE. 486 00:25:09,674 --> 00:25:10,425 THANKS. 487 00:25:12,510 --> 00:25:14,387 TARA, I HAVE AN IDEA. 488 00:25:14,471 --> 00:25:16,598 HOW ABOUT LETTING ISAAC DANCE? 489 00:25:16,681 --> 00:25:18,266 THE THREE OF US? 490 00:25:18,350 --> 00:25:20,435 FANTASTIC. IT'S JUST LIKE THE OLD DAYS. 491 00:25:20,519 --> 00:25:22,270 I'M NOT TALKING ABOUT A TRIO. 492 00:25:22,354 --> 00:25:25,440 I WANT ISAAC TO TAKE MY PLACE TONIGHT. 493 00:25:25,523 --> 00:25:27,108 YOUR -- 494 00:25:25,523 --> 00:25:27,108 YOU SEE, YOUR PARTNER HAS 495 00:25:27,192 --> 00:25:28,902 THIS CRAZY ITCH TO SEE EUROPE BY TANK. 496 00:25:28,985 --> 00:25:30,820 HE WANTS US TO SWITCH PLACES. 497 00:25:30,904 --> 00:25:32,239 NOW, PERSONALLY, I THINK HE'S NUTS. 498 00:25:32,322 --> 00:25:34,824 BUT WHO AM I TO STOP HIM? 499 00:25:34,908 --> 00:25:35,951 OH. 500 00:25:36,034 --> 00:25:37,160 BRILLIANT. 501 00:25:37,244 --> 00:25:39,246 AND JUST HOW DO YOU TWO GENIUSES PLAN 502 00:25:39,329 --> 00:25:40,789 TO PULL OFF A STUNT LIKE THIS? 503 00:25:40,872 --> 00:25:42,624 WELL, I GOT SOME FRIENDS THAT CAN DUMMY UP THE PAPERWORK. 504 00:25:42,707 --> 00:25:46,670 THANKS TO ISAAC, I'M GOING TO SEE COMBAT. 505 00:25:46,753 --> 00:25:47,963 YEAH. 506 00:25:48,046 --> 00:25:49,714 IT'S A DREAM COME TRUE. 507 00:25:53,885 --> 00:25:56,012 Klaus: GRAUE WOLF. 508 00:26:19,411 --> 00:26:20,203 [KNOCK ON DOOR] 509 00:26:20,287 --> 00:26:21,997 OH, EINE MOMENT. 510 00:26:22,080 --> 00:26:23,456 [Normal voice] UH, ONE MOMENT. 511 00:26:30,088 --> 00:26:32,841 OH, DOCTOR, GOOD. CAN I HAVE A WORD WITH YOU? 512 00:26:32,924 --> 00:26:34,467 GOT A LITTLE PROBLEM. 513 00:26:34,551 --> 00:26:35,969 IT'S KIND OF EMBARRASSING. 514 00:26:36,052 --> 00:26:37,304 WELL, DON'T BE SHY, MR. SMITH. 515 00:26:37,387 --> 00:26:39,848 I'M A NAVY DOCTOR. I'VE SEEN IT ALL. 516 00:26:39,931 --> 00:26:41,850 OH, IT'S NOT ABOUT ME. 517 00:26:41,933 --> 00:26:43,852 IT'S ABOUT THE CAPTAIN. 518 00:26:43,935 --> 00:26:46,396 FRANKLY, I THINK HE'S LOSING HIS MIND. 519 00:26:43,935 --> 00:26:46,396 WHAT'S THE MATTER? 520 00:26:46,479 --> 00:26:49,316 IS HE SUFFERING FROM A LACK OF BATTLE FATIGUE? 521 00:26:49,399 --> 00:26:50,108 WELL, LET ME PUT IT THIS WAY -- 522 00:26:50,191 --> 00:26:52,027 THIS MORNING, HE WOKE UP AND TOLD ME 523 00:26:52,110 --> 00:26:53,862 HE THINKS YOU ARE A NAZI SPY. 524 00:26:54,904 --> 00:26:57,324 ME? 525 00:26:54,904 --> 00:26:57,324 YOU. 526 00:26:57,407 --> 00:27:01,369 "VUT" DOES HE "TINK" -- I'M GOING TO BLOW UP HIS "BOOT"? 527 00:27:01,453 --> 00:27:02,871 [BOTH LAUGH] 528 00:27:02,954 --> 00:27:05,373 HEY, DOC, THAT'S G-- THAT'S REALLY GOOD. 529 00:27:05,457 --> 00:27:06,708 YOU'RE A REGULAR STITCH. 530 00:27:06,791 --> 00:27:08,543 OH, DON'T WORRY ABOUT THE CAPTAIN. 531 00:27:08,626 --> 00:27:09,961 I'LL KEEP MY EYE ON HIM. 532 00:27:10,045 --> 00:27:12,881 OH, THANKS, DOC. YOU'RE SWELL. 533 00:27:12,964 --> 00:27:15,884 OH, YOU OUGHT TO THINK ABOUT DOING THAT ACCENT FOR THE MEN. 534 00:27:15,967 --> 00:27:17,218 IT'S A KILLER. 535 00:27:17,302 --> 00:27:18,595 [LAUGHS] 536 00:27:18,678 --> 00:27:21,264 [DOOR CLOSES] 537 00:27:21,348 --> 00:27:24,893 [German accent] THESE AMERICANS ARE SO EASY. 538 00:27:24,976 --> 00:27:26,978 ♪ CHICA-CHICA-BOOM, CHICA-CHICA-CHICA-BOOM-BOOM ♪ 539 00:27:27,062 --> 00:27:28,730 ♪ CHICA-CHICA-BOOM, CHICA-CHICA-CHICA-BOOM-BOOM ♪ 540 00:27:28,813 --> 00:27:30,565 ♪ CHICA-CHICA-BOOM, CHICA-CHICA-CHICA-BOOM-BOOM ♪ 541 00:27:30,648 --> 00:27:31,566 ♪ CHICA-CHICA ♪ 542 00:27:31,649 --> 00:27:33,109 HEY, WAIT A MINUTE. 543 00:27:33,193 --> 00:27:34,819 IT USED TO BE A BANANA RIGHT HERE. 544 00:27:34,903 --> 00:27:36,237 WHERE IS IT? 545 00:27:36,321 --> 00:27:38,031 UH... 546 00:27:38,114 --> 00:27:40,408 YEAH, WELL, YOU SEE, IT WAS SUCH A LONG WAIT 547 00:27:40,492 --> 00:27:43,244 AT THE TRAIN STATION, AND I SKIPPED LUNCH. 548 00:27:43,328 --> 00:27:44,954 AND YOUR HAT JUST LOOKED SO GOOD. 549 00:27:45,038 --> 00:27:46,539 LET ME PUT IT THIS WAY -- 550 00:27:46,623 --> 00:27:49,084 FIND ANOTHER BANANA OR FIND ANOTHER JOB. 551 00:27:49,167 --> 00:27:50,377 [KNOCK ON DOOR] 552 00:27:50,460 --> 00:27:53,421 YES, MS. VALDEZ. OH, THE DOOR. 553 00:27:55,048 --> 00:27:56,716 -HELLO. HI, LUPE. -HI. 554 00:27:56,800 --> 00:27:58,593 BUENOS DIAS. 555 00:27:58,676 --> 00:28:00,595 ?¿CoóMO ESTaáS, LOVE BIRDS? -HI. 556 00:28:00,678 --> 00:28:01,971 LUPE, I WANT TO THANK YOU FOR LETTING CHIP 557 00:28:02,055 --> 00:28:03,139 AND JANET USE YOUR ROOM. 558 00:28:03,223 --> 00:28:04,641 NO PROBLEMA. 559 00:28:04,724 --> 00:28:06,935 LOVE IS MY HOBBY. 560 00:28:07,018 --> 00:28:09,396 NOW, I HAVE A MEETING WITH MY BAND LEADER. 561 00:28:09,479 --> 00:28:12,941 REMEMBER, NO HURRY. TAKE YOUR TIME. 562 00:28:13,024 --> 00:28:14,567 [LAUGHTER] -OH. 563 00:28:16,069 --> 00:28:17,904 OH, JUDY, THANKS FOR CHANGING YOUR MIND. 564 00:28:17,987 --> 00:28:19,280 YES, THANK YOU. 565 00:28:19,364 --> 00:28:21,074 WELL, I GUESS I'M JUST SENTIMENTAL. 566 00:28:21,157 --> 00:28:22,492 [CHUCKLES] 567 00:28:22,575 --> 00:28:24,953 ANYWAY, I KNOW HOW PRECIOUS THIS TIME TOGETHER IS. 568 00:28:25,036 --> 00:28:26,621 AND IF THE U.S.O. DOESN'T UNDERSTAND, 569 00:28:26,704 --> 00:28:27,580 TO HECK WITH THEM. 570 00:28:27,664 --> 00:28:28,790 [LAUGHTER] 571 00:28:28,873 --> 00:28:30,125 BYE-BYE. -BYE, JUDY. 572 00:28:30,208 --> 00:28:31,835 -[SIGHS] -OH. 573 00:28:31,918 --> 00:28:32,794 FINALLY. 574 00:28:35,880 --> 00:28:36,965 HOW LONG I HAVE DREAMED 575 00:28:37,048 --> 00:28:39,134 OF BEING ALONE WITH YOU, MRS. REYNOLDS. 576 00:28:42,887 --> 00:28:43,847 AFRAID YOU'LL HAVE TO LEAVE. 577 00:28:43,930 --> 00:28:45,807 THIS CABIN IS UNDER OFFICIAL MILITARY SURVEILLANCE. 578 00:28:45,890 --> 00:28:47,308 WHY?! 579 00:28:47,392 --> 00:28:49,811 THERE IS A WAR GOING ON, SOLDIER. 580 00:28:47,392 --> 00:28:49,811 [SIGHS] 581 00:28:49,894 --> 00:28:51,896 YOU SHOULD BE THINKING ABOUT THAT INSTEAD OF HANKY-PANKY. 582 00:28:51,980 --> 00:28:53,398 AND YOU, MRS. REYNOLDS. -YEAH. 583 00:28:53,481 --> 00:28:54,858 [CLICKS TONGUE] A MARRIED WOMAN. 584 00:28:54,941 --> 00:28:57,152 -YES, SIR, WE'RE GOING, SIR. -BYE, SIR. 585 00:28:58,903 --> 00:29:00,905 [DOOR CLOSES] 586 00:29:11,708 --> 00:29:14,169 TARA. 587 00:29:14,252 --> 00:29:17,380 LISTEN, I JUST SEWED SOME EXTRA FRINGE ON YOUR COSTUME. 588 00:29:17,464 --> 00:29:19,966 YOU'RE GONNA LOVE IT. 589 00:29:20,049 --> 00:29:22,969 OH, HEY, I'LL RIP IT OFF. IT'S JUST BASTED ON. 590 00:29:23,052 --> 00:29:27,557 VICKI, WHY ARE MEN SUCH HEELS? 591 00:29:27,640 --> 00:29:30,185 THEY LEARN IT FROM HIGH-SCHOOL FOOTBALL COACHES. 592 00:29:30,268 --> 00:29:31,728 WHY? 593 00:29:31,811 --> 00:29:34,355 CARL'S FIGURED OUT A WAY TO FIGHT IN THE WAR. 594 00:29:34,439 --> 00:29:35,732 THAT BIG LUG. 595 00:29:35,815 --> 00:29:38,860 HE ISN'T GONNA BE HAPPY UNTIL HE GETS HIMSELF HURT. 596 00:29:38,943 --> 00:29:39,986 OH, HERE. 597 00:29:40,069 --> 00:29:41,362 HERE, TAKE IT. 598 00:29:41,446 --> 00:29:43,198 I'VE GOT TO CLEAN IT ANYWAY. 599 00:29:43,281 --> 00:29:44,741 [SNIFFLES] 600 00:29:44,824 --> 00:29:47,368 TARA. 601 00:29:47,452 --> 00:29:49,245 I'M NOT VERY EXPERIENCED IN THESE THINGS. 602 00:29:49,329 --> 00:29:50,538 I-I MEAN, I'VE HARDLY DATED. 603 00:29:50,622 --> 00:29:52,165 [SIGHS, SNIFFLES] 604 00:29:52,248 --> 00:29:55,210 BUT IN SUMMER STOCK, THERE WAS THIS REAL CUTE STAGEHAND, 605 00:29:55,293 --> 00:29:57,587 AND WE USED TO SIT BACKSTAGE DURING "FLEA IN HER EAR," 606 00:29:57,670 --> 00:30:00,006 AND MOUTH THE DIALOGUE -- 607 00:29:57,670 --> 00:30:00,006 VICKI, WHAT ARE YOU TALKING ABOUT? 608 00:30:02,175 --> 00:30:05,220 WELL, MAYBE IF YOU TELL CARL HOW YOU REALLY FEEL, 609 00:30:05,303 --> 00:30:07,889 HE'LL CHANGE HIS MIND. 610 00:30:05,303 --> 00:30:07,889 NO, I KNOW CARL. 611 00:30:07,972 --> 00:30:09,557 IF I WAS TO TELL HIM HOW MUCH I LOVED HIM, 612 00:30:09,641 --> 00:30:11,309 I KNOW IT WOULD ONLY SCARE HIM AWAY. 613 00:30:12,977 --> 00:30:16,523 TARA, IT SEEMS TO ME THAT IF YOU KEEP IT A SECRET, 614 00:30:16,606 --> 00:30:18,274 YOU'RE GONNA LOSE HIM ANYWAY. 615 00:30:21,110 --> 00:30:24,030 OH, JUDY, ARE YOU SURE THIS IS GONNA WORK? 616 00:30:24,113 --> 00:30:25,573 I'M POSITIVE. 617 00:30:25,657 --> 00:30:27,075 I'VE ARRANGED FOR A WATER VOLLEYBALL GAME 618 00:30:27,158 --> 00:30:29,077 BETWEEN CHIP'S COMPANY AND COMPANY "B." 619 00:30:29,160 --> 00:30:30,745 WHILE THEY'RE PLAYING, YOU CAN USE THE ROOM. 620 00:30:30,828 --> 00:30:33,206 OH, GREAT! OH, THANKS. 621 00:30:33,289 --> 00:30:35,750 YOU'VE JUST MADE THIS WAR A MEMORABLE EXPERIENCE. 622 00:30:35,833 --> 00:30:37,085 [BOTH LAUGH] 623 00:30:37,168 --> 00:30:38,419 HERE I GO. 624 00:30:40,380 --> 00:30:42,215 CHIP, WHAT HAPPENED TO YOUR ARM? 625 00:30:42,298 --> 00:30:43,758 [Chuckling] OH, NOTHING. 626 00:30:42,298 --> 00:30:43,758 OH. 627 00:30:43,841 --> 00:30:45,927 I FAKED AN INJURY TO GET OUT OF THE VOLLEYBALL GAME. 628 00:30:46,010 --> 00:30:48,596 OH, SO, DO YOU THINK WE'LL BE SAFE HERE. 629 00:30:48,680 --> 00:30:50,723 WELL, THE TEAMS ARE VERY WELL MATCHED. 630 00:30:50,807 --> 00:30:53,518 I THINK THE GAME MIGHT LAST FOR HOURS. 631 00:30:56,896 --> 00:30:59,566 -LOOK, I SAID I WAS SORRY. -I TELL YOU. 632 00:30:59,649 --> 00:31:00,984 -WHOO. -[WOLF WHISTLES] 633 00:31:01,067 --> 00:31:02,777 -HEY. -WHOO, WHOO! 634 00:31:02,860 --> 00:31:04,779 WELL, REYNOLDS, LOOKS LIKE THAT ARM MENDED FAST. 635 00:31:04,862 --> 00:31:06,823 WHAT HAPPENED TO THE VOLLEYBALL GAME? 636 00:31:06,906 --> 00:31:09,784 OH, WELL, UH, "SCOOP" HERE SPIKED THE FIRST SERVE OVERBOARD 637 00:31:09,867 --> 00:31:10,785 AND IT WAS THE ONLY BALL WE HAD. 638 00:31:10,868 --> 00:31:12,954 YEAH, I-I WAS TRYING TO GIVE IT SOME TOP SPIN. 639 00:31:13,037 --> 00:31:14,455 UH-HUH. 640 00:31:13,037 --> 00:31:14,455 SURE. 641 00:31:14,539 --> 00:31:16,082 LOOK, GUYS, DO ME A FAVOR 642 00:31:16,165 --> 00:31:18,960 AND JUST LET US USE THE ROOM FOR A LITTLE WHILE, OKAY? 643 00:31:19,043 --> 00:31:20,044 WHAT FOR? 644 00:31:23,256 --> 00:31:25,258 STEFANAWITZ, NOW I KNOW 645 00:31:25,341 --> 00:31:26,634 WHY YOU'RE ALWAYS FEEDING YOUR FACE -- 646 00:31:26,718 --> 00:31:28,011 BECAUSE YOUR HEAD IS EMPTY. 647 00:31:28,094 --> 00:31:29,304 OHH. 648 00:31:29,387 --> 00:31:30,471 OKAY, WE'LL GIVE YOU FIVE MINUTES. 649 00:31:30,555 --> 00:31:33,141 COME ON, GUYS, WE'LL WAIT OUTSIDE. 650 00:31:33,224 --> 00:31:35,268 YOU KNOW, THIS COULD MAKE A GREAT HUMAN-INTEREST STORY. 651 00:31:35,351 --> 00:31:37,061 -SCOOP. -UH... 652 00:31:41,608 --> 00:31:44,777 CHIP, NO. I-I-I CAN'T DO THIS, 653 00:31:44,861 --> 00:31:45,987 NOT WITH A TIME LIMIT 654 00:31:46,070 --> 00:31:48,823 AND FIVE LITTLE EARS PRESSED AGAINST THE DOOR. 655 00:31:48,906 --> 00:31:51,326 YEAH, ME, NEITHER. UM... 656 00:31:51,409 --> 00:31:52,410 LET'S GO FIND SOMEWHERE ELSE. 657 00:31:52,493 --> 00:31:53,453 OKAY. 658 00:31:55,038 --> 00:31:56,164 OHH! 659 00:31:57,081 --> 00:31:58,666 -EXCUSE ME. -EXCUSE ME. 660 00:31:59,792 --> 00:32:01,544 ♪ ♪ 661 00:32:12,722 --> 00:32:13,848 HI, HANDSOME. 662 00:32:13,931 --> 00:32:16,059 OH, HI, MS. VALDEZ. 663 00:32:16,142 --> 00:32:17,977 OH, GOSH, I CAN'T ALLOW YOU IN HERE. 664 00:32:18,061 --> 00:32:20,521 NO UNAUTHORIZED PERSONNEL ON THE BRIDGE -- SORRY. 665 00:32:20,605 --> 00:32:24,025 [SIGHS] I JUST WANT A LITTLE PEEK. 666 00:32:24,108 --> 00:32:26,027 MY GOODNESS. 667 00:32:26,110 --> 00:32:28,363 YOU MUST BE SO SMART TO KNOW 668 00:32:28,446 --> 00:32:31,532 WHAT ALL OF THESE LITTLE DIALS ARE FOR. 669 00:32:31,616 --> 00:32:33,242 WHAT DOES THAT ONE DO? 670 00:32:33,326 --> 00:32:34,994 THAT ONE? 671 00:32:35,078 --> 00:32:37,997 WELL, THAT'S AN OIL-PRESSURE GAUGE, MS. VALDEZ, 672 00:32:38,081 --> 00:32:41,542 AND WHAT THAT DOES IS MEASURE THE PRESSURE OF...OIL. 673 00:32:41,626 --> 00:32:44,337 CARAMBA, CARAMBA. 674 00:32:44,420 --> 00:32:46,172 I WISH I HAD THIS KIND OF MIND. 675 00:32:46,255 --> 00:32:49,175 OH, HECK, I LET THE SHIP DRIFT OFF COURSE. 676 00:32:49,258 --> 00:32:50,551 THAT'S WHAT I GET FOR ALLOWING YOU 677 00:32:50,635 --> 00:32:52,178 TO SWEET-TALK YOU WAY IN HERE, MS. VALDEZ. 678 00:32:52,261 --> 00:32:54,722 THIS IS A JOB THAT REQUIRES CONCENTRATION. 679 00:32:54,806 --> 00:32:56,557 I'M SORRY. 680 00:32:56,641 --> 00:32:59,394 YOU'RE VERY KIND TO LET ME STAY THIS LONG. 681 00:32:59,477 --> 00:33:01,729 WELL, UH, I HAVE TO GO NOW 682 00:33:01,813 --> 00:33:05,024 AND LOOSEN UP MY HIPS FOR TONIGHT'S PERFORMANCE. 683 00:33:10,154 --> 00:33:11,572 -MS. VALDEZ. -OOH! 684 00:33:11,656 --> 00:33:14,367 OH, CAPTAIN, I-I'M JUST LEAVING. 685 00:33:14,450 --> 00:33:17,078 SO, HERE IS WHERE YOU HAVE BEEN HIDING, HUH? 686 00:33:17,161 --> 00:33:18,079 -MM. -[CHUCKLES] 687 00:33:18,162 --> 00:33:18,913 OKAY. 688 00:33:18,996 --> 00:33:21,124 I'LL SEE YOU AT THE SHOW TONIGHT. 689 00:33:21,207 --> 00:33:23,126 YES, I'LL BE WATCHING YOU LIKE A HAWK. 690 00:33:23,209 --> 00:33:24,544 GOOD. 691 00:33:24,627 --> 00:33:26,546 I HOPE YOUR HEART CAN TAKE IT. 692 00:33:26,629 --> 00:33:28,589 [BOTH LAUGH] 693 00:33:31,509 --> 00:33:33,469 YOU FOOL! 694 00:33:33,553 --> 00:33:35,138 HOW COULD YOU LET THAT MATA HARI 695 00:33:35,221 --> 00:33:36,931 INTO THE NERVE CENTER OF OUR SHIP? 696 00:33:37,014 --> 00:33:38,933 WITH ALL DUE RESPECT, SIR, I THINK SHE'S HARMLESS. 697 00:33:39,016 --> 00:33:41,561 OHH. 698 00:33:41,644 --> 00:33:43,730 YEAH. 699 00:33:43,813 --> 00:33:47,525 I SEE SHE LEFT BEHIND A HARMLESS LITTLE TOY. 700 00:33:47,608 --> 00:33:50,069 THIS MAGNET COULD HAVE THROWN US OFF COURSE, 701 00:33:50,153 --> 00:33:51,946 AND IT WOULD HAVE BEEN YOUR FAULT, 702 00:33:52,029 --> 00:33:55,491 PETTY OFFICER SMITH. 703 00:34:09,672 --> 00:34:12,300 WE WOULD LIKE TO REMIND WHOEVER HAS BEEN SELLING RIDES 704 00:34:12,383 --> 00:34:14,135 ON THE ANTI-AIRCRAFT GUN 705 00:34:14,218 --> 00:34:17,513 THAT THIS WEAPON IS FOR BATTLE USE ONLY. 706 00:34:22,602 --> 00:34:24,312 THERE WE ARE. ALL SET. 707 00:34:24,395 --> 00:34:26,647 IT'S A LITTLE SMALL, BUT IT'S ALL YOURS. 708 00:34:26,731 --> 00:34:28,357 -THANKS, JUDY. -OH. 709 00:34:28,441 --> 00:34:30,526 -YOU'RE A PEACH. -[LAUGHS] 710 00:34:30,610 --> 00:34:32,111 THANKS, JUDY. -BYE. 711 00:34:43,539 --> 00:34:46,626 WELL, IT'S NOT EXACTLY THE RITZ. 712 00:34:46,709 --> 00:34:48,669 NO, BUT AT LEAST THE MAID WON'T BOTHER US. 713 00:34:48,753 --> 00:34:50,004 WE HAVE OUR OWN CLEANING SUPPLIES. 714 00:34:50,087 --> 00:34:52,340 [BOTH LAUGH] 715 00:34:52,423 --> 00:34:55,009 UH, WELL, SHOULD WE... 716 00:34:55,092 --> 00:34:58,638 START WITH THE WINE AND TOAST THE OCCASION? 717 00:34:58,721 --> 00:34:59,680 NO. 718 00:35:00,723 --> 00:35:01,682 [BLOWS] 719 00:35:08,940 --> 00:35:09,857 ♪ ♪ 720 00:35:09,941 --> 00:35:11,025 HEY, TROOPS. 721 00:35:11,108 --> 00:35:12,527 WE'RE GONNA HAVE SOME FUN TONIGHT, HUH? 722 00:35:12,610 --> 00:35:14,529 I'M GONNA PUT THE OLD CAMERA AWAY 723 00:35:14,612 --> 00:35:16,531 AND GIVE US A CHANCE TO GET TO KNOW EACH OTHE -- 724 00:35:16,614 --> 00:35:17,824 OFF THE RECORD, MAN TO MAN. 725 00:35:17,907 --> 00:35:19,575 WHAT DO YOU HAVE TO SAY ABOUT THAT, HUH? 726 00:35:24,747 --> 00:35:25,873 [LAUGHS] 727 00:35:27,583 --> 00:35:28,876 HEY, TROOPS. 728 00:35:28,960 --> 00:35:30,878 WE'RE GONNA HAVE SOME FUN TONIGHT, HUH? 729 00:35:30,962 --> 00:35:32,880 THIS MAGNET IS THE EVIDENCE I NEED. 730 00:35:32,964 --> 00:35:35,550 WE'LL NAB LUPE RIGHT AFTER THE SHOW. 731 00:35:35,633 --> 00:35:37,218 WHY NOT GRAB HER NOW, SIR? 732 00:35:37,301 --> 00:35:39,262 MORALE -- THE MEN HAVE BEEN WAITING TO SEE THIS. 733 00:35:39,345 --> 00:35:40,847 SHE MAY BE A TRAITOR, 734 00:35:40,930 --> 00:35:43,432 BUT SHE PUTS ON ONE HECK OF A SHOW. 735 00:35:44,642 --> 00:35:46,227 -SPOON, SIR. -THANK YOU. 736 00:35:49,647 --> 00:35:51,524 [Normal voice] GOOD EVENING, CAPTAIN AND... 737 00:35:51,607 --> 00:35:53,067 PETTY OFFICER. 738 00:35:54,819 --> 00:35:56,195 HOW ARE YOU FEELING, SIR? 739 00:35:57,488 --> 00:35:59,490 WHAT'S THAT SUPPOSED TO MEAN? 740 00:35:59,574 --> 00:36:01,242 NOTHING. I'M A DOCTOR. 741 00:36:01,325 --> 00:36:03,161 HOW PEOPLE FEEL IS MY BUSINESS. 742 00:36:04,453 --> 00:36:06,122 WELL, I FEEL FINE. [LAUGHS] 743 00:36:06,205 --> 00:36:07,957 I'VE NEVER FELT BETTER. 744 00:36:08,040 --> 00:36:10,418 IN FACT, I GUARANTEE THAT I WILL OUTLIVE YOU 745 00:36:10,501 --> 00:36:12,044 BY 20 YEARS. 746 00:36:12,128 --> 00:36:13,337 GOOD. 747 00:36:13,421 --> 00:36:16,090 A POSITIVE MENTAL OUTLOOK IS HALF THE BATTLE. 748 00:36:18,551 --> 00:36:20,386 ENJOY THE SHOW. 749 00:36:22,471 --> 00:36:24,098 ♪ PA-TINK-A-DOO, PA-TINK-A-TINK-A-TINK ♪ 750 00:36:22,471 --> 00:36:24,098 AH. 751 00:36:24,181 --> 00:36:26,684 ♪ PA-TINK, A-TINK, A-TANK-A-TINK ♪ 752 00:36:26,767 --> 00:36:29,103 ♪ PA-TINK-A-TINK, A-TANK, A-TINK, A-TAH ♪ 753 00:36:29,186 --> 00:36:30,688 AAH! HOW AM I DOING, CARL? 754 00:36:29,186 --> 00:36:30,688 [LAUGHS] 755 00:36:33,065 --> 00:36:35,776 TARA -- I TOLD YOU SHE'D SHOW UP. 756 00:36:35,860 --> 00:36:37,612 CARL, I'M NOT DANCING WITH ISAAC. 757 00:36:37,695 --> 00:36:38,946 WHAT ARE YOU TALKING ABOUT? 758 00:36:39,030 --> 00:36:40,281 I'VE BEEN REHEARSING ALL AFTERNOON. 759 00:36:40,364 --> 00:36:41,949 I'VE BEEN WORKING ALL DAY. 760 00:36:42,033 --> 00:36:44,285 WHAT KIND OF CRAZY IDEA HAS GOTTEN INTO YOUR HEAD? 761 00:36:44,368 --> 00:36:45,453 MY HEAD? 762 00:36:45,536 --> 00:36:46,704 YOU'RE THE ONE WHO WON'T BE HAPPY 763 00:36:46,787 --> 00:36:48,122 UNTIL YOU GET YOURSELF KILLED, 764 00:36:48,205 --> 00:36:50,875 WHO DOESN'T CARE HOW I MIGHT FEEL ABOUT THIS. 765 00:36:50,958 --> 00:36:52,877 I MEAN, DAMN IT, CARL! 766 00:36:55,713 --> 00:36:58,633 I LOVE YOU. 767 00:36:58,716 --> 00:37:00,051 I LOVE YOU, TOO, BABY. 768 00:37:00,134 --> 00:37:02,595 YOU MEAN THE WORLD TO ME. YOU KNOW THAT. 769 00:37:02,678 --> 00:37:05,139 HOW WOULD I KNOW THAT? 770 00:37:05,222 --> 00:37:06,432 TARA. 771 00:37:06,515 --> 00:37:08,809 WE'VE BEEN TOGETHER SINCE WE WERE KIDS. 772 00:37:08,893 --> 00:37:10,311 I'VE HELD YOUR HAND. 773 00:37:10,394 --> 00:37:12,188 I'VE TAPED YOUR ANKLES. 774 00:37:12,271 --> 00:37:13,773 I'VE EATEN THE PICKLES OFF YOUR HAMBURGERS 775 00:37:13,856 --> 00:37:15,149 FOR 16 YEARS. 776 00:37:15,232 --> 00:37:15,983 WHAT MORE DO YOU WANT? 777 00:37:16,067 --> 00:37:17,485 I WANT YOU TO FORGET ABOUT THE WAR 778 00:37:17,568 --> 00:37:19,487 AND STAY HERE WITH ME. 779 00:37:19,570 --> 00:37:21,447 I CAN'T DO THAT. 780 00:37:22,907 --> 00:37:24,325 LOOK... 781 00:37:24,408 --> 00:37:27,119 ALL MY LIFE, I'VE BUSTED MY TAIL 782 00:37:27,203 --> 00:37:29,622 TRYING TO MAKE A LIVING AT WHAT I LOVE. 783 00:37:29,705 --> 00:37:32,500 AND YOU KNOW WHY THAT DREAM CAME TRUE? 784 00:37:32,583 --> 00:37:33,960 BECAUSE WE LIVE IN A COUNTRY 785 00:37:34,043 --> 00:37:35,670 WHERE IF YOU PUT YOUR NOSE TO THE GRINDSTONE, 786 00:37:35,753 --> 00:37:36,837 YOU CAN MAKE ANYTHING HAPPEN. 787 00:37:36,921 --> 00:37:39,507 SURE, AMERICA'S GOT HER PROBLEMS. 788 00:37:39,590 --> 00:37:40,883 BUT I DON'T WANT TO STAND BY 789 00:37:40,967 --> 00:37:42,593 WHILE SOME PIP-SQUEAK PAPERHANGER 790 00:37:42,677 --> 00:37:44,512 TRIES TO TAKE OUR DREAMS AWAY. 791 00:37:47,431 --> 00:37:48,683 "PAPERHANGER"? 792 00:37:48,766 --> 00:37:50,518 HITLER. 793 00:37:50,601 --> 00:37:52,687 OH, I THOUGHT IT WAS SOME NEW DICTATOR. 794 00:37:52,770 --> 00:37:54,855 IT MAY SOUND CORNY, BUT I OWE THIS COUNTRY, 795 00:37:54,939 --> 00:37:56,857 AND IT'S TIME TO PAY UP. 796 00:37:56,941 --> 00:37:58,401 ALL RIGHT, CARL. 797 00:37:58,484 --> 00:38:00,987 BUT YOU OWE ME SOMETHING, TOO. 798 00:38:01,070 --> 00:38:03,197 ONE LAST DANCE. 799 00:38:03,280 --> 00:38:04,782 YOU GOT IT. 800 00:38:08,327 --> 00:38:09,495 HEY, WASHINGTON. 801 00:38:09,578 --> 00:38:10,579 HM? 802 00:38:10,663 --> 00:38:12,540 GIVE ME BACK MY PANTS. 803 00:38:12,623 --> 00:38:15,876 GOSH, THIS IS GONNA BE SOME SWELL SHOW. 804 00:38:17,795 --> 00:38:20,506 ♪ ♪ 805 00:38:20,589 --> 00:38:24,093 [CHEERS AND APPLAUSE] 806 00:38:24,176 --> 00:38:26,053 [TRILLS] OH! 807 00:38:26,137 --> 00:38:27,221 ♪ I, YI, YI, YI, YI ♪ 808 00:38:27,304 --> 00:38:29,724 ♪ I LIKE YOU VERY MUCH ♪ 809 00:38:29,807 --> 00:38:31,058 ♪ I, YI, YI, YI, YI ♪ 810 00:38:31,142 --> 00:38:34,020 ♪ I THINK YOU'RE GRAND ♪ 811 00:38:34,103 --> 00:38:37,398 ♪ WHOA, WHOA, WHOA, YOU SEE THAT WHEN I FEEL YOUR TOUCH ♪ 812 00:38:37,481 --> 00:38:41,402 ♪ MY HEART STARTS TO BEAT, TO BEAT THE BAND ♪ 813 00:38:41,485 --> 00:38:42,611 ♪ I, YI, YI, YI, YI ♪ 814 00:38:42,695 --> 00:38:45,239 ♪ I'D LIKE YOU TO HOLD ME TIGHT ♪ 815 00:38:45,322 --> 00:38:49,076 ♪ YOU ARE TOO, TOO, TOO, TOO, TOO DIVINE ♪ 816 00:38:49,160 --> 00:38:52,621 ♪ IF YOU WANT TO BE IN SOMEONE'S ARMS TONIGHT ♪ 817 00:38:52,705 --> 00:38:57,543 ♪ JUST BE SURE THE ARMS YOU'RE IN ARE MINE ♪ 818 00:38:57,626 --> 00:38:59,628 ♪ AND I LIKE YOUR LIPS ♪ -Sií, sií! 819 00:38:59,712 --> 00:39:01,255 -♪ AND LIKE YOUR EYES ♪ -Sií, sií! 820 00:39:01,338 --> 00:39:03,299 ♪ WOULD YOU LIKE MY HIPS ♪ 821 00:39:03,382 --> 00:39:05,801 ♪ TO HYPNOTIZE YOU? ♪ 822 00:39:05,885 --> 00:39:08,095 ♪ CHICA-CHICA-BOOM, CHICA-CHICA-CHICA-BOOM-BOOM ♪ 823 00:39:08,179 --> 00:39:09,805 ♪ CHICA-CHICA-BOOM, CHICA-CHICA-CHICA-BOOM-BOOM ♪ 824 00:39:09,889 --> 00:39:11,766 ♪ CHICA-CHICA-BOOM, CHICA-CHICA-CHICA-BOOM-BOOM ♪ 825 00:39:11,849 --> 00:39:13,392 ♪ CHICA-CHICA-BOOM, CHICA-CHICA-CHICA-BOOM-BOOM ♪ 826 00:39:13,476 --> 00:39:15,436 ♪ ♪ 827 00:39:21,859 --> 00:39:23,444 ♪ SEE, SEE, SEE, SEE, SEE, SEE, ♪ 828 00:39:23,527 --> 00:39:25,863 ♪ SEE THE MOON ABOVE ♪ 829 00:39:25,946 --> 00:39:29,450 ♪ WAY, WAY, WAY, WAY, WAY, WAY UP IN THE BLUE ♪ 830 00:39:29,533 --> 00:39:31,535 ♪ ♪ 831 00:39:36,207 --> 00:39:39,126 HOLY JUMPING CATFISH, SHE GAVE US THE SLIP. 832 00:39:39,210 --> 00:39:41,003 LET'S GO! 833 00:39:43,214 --> 00:39:46,926 OKAY, COOKIE. HERE IS YOUR BIG, BIG CHANCE. 834 00:39:47,009 --> 00:39:50,137 GO OUT THERE AND GIVE THEM ALL YOU GOT. 835 00:39:50,221 --> 00:39:51,597 -ME? -MM-HMM. 836 00:39:52,848 --> 00:39:54,141 GOSH. 837 00:39:54,225 --> 00:39:55,643 ONE MINUTE, A DRESSER. 838 00:39:55,726 --> 00:39:58,145 THE NEXT, A STAR. 839 00:39:58,229 --> 00:39:59,772 WHATEVER WORKS FOR YOU, KIDDO. 840 00:39:59,855 --> 00:40:01,482 iADIoóS! 841 00:40:01,565 --> 00:40:02,942 ADIoóS. 842 00:40:07,029 --> 00:40:08,447 IF YOU WANT A SCOOP, FOLLOW ME. 843 00:40:08,531 --> 00:40:12,076 I'LL GIVE YOU A STORY THAT'LL PUT HAIR ON IKE'S HEAD. 844 00:40:14,578 --> 00:40:16,497 [CHEERING] 845 00:40:16,580 --> 00:40:18,541 ♪ ♪ 846 00:40:20,292 --> 00:40:22,044 [CHEERING] 847 00:40:24,880 --> 00:40:26,006 Mermaids: ♪ SEE, SEE, SEE, SEE, SEE, SEE ♪ 848 00:40:26,090 --> 00:40:28,717 ♪ SEE THE MOON ABOVE ♪ 849 00:40:28,801 --> 00:40:29,927 Janet: [LAUGHS] 850 00:40:33,597 --> 00:40:35,599 [BOTH LAUGH] 851 00:40:37,393 --> 00:40:40,646 YOU KNOW, I THINK I'D LIKE TO TRY THIS AGAIN SOMETIME. 852 00:40:40,729 --> 00:40:42,523 GEE, I WONDER IF IT'LL BE THE SAME 853 00:40:42,606 --> 00:40:44,608 WITHOUT THE SCENT OF BABBLE CLEANSER HERE. 854 00:40:44,692 --> 00:40:46,026 [BOTH LAUGH] 855 00:40:48,696 --> 00:40:50,656 OH, MM. 856 00:40:48,696 --> 00:40:50,656 COLD? 857 00:40:50,739 --> 00:40:51,448 YEAH, A LITTLE. 858 00:40:53,117 --> 00:40:55,369 [SCREAMING] 859 00:40:55,452 --> 00:40:57,580 GEEZ, IT'S DR. BRICKER! 860 00:40:57,663 --> 00:40:59,582 [MUFFLED GRUNTING] 861 00:41:18,767 --> 00:41:19,894 AHA! 862 00:41:19,977 --> 00:41:21,896 I GOT YOU! 863 00:41:21,979 --> 00:41:23,898 I KNEW YOU'D LEAVE ME HERE, 864 00:41:23,981 --> 00:41:26,400 YOU DOUBLE-CROSSING [SPEAKING SPANISH] 865 00:41:27,484 --> 00:41:30,029 [German accent] I ASSUME THAT IS NOT A COMPLIMENT. 866 00:41:30,112 --> 00:41:31,614 UNFORTUNATELY, LIEBCHEN, 867 00:41:31,697 --> 00:41:34,617 THE GESTAPO HAS NO FURTHER USE FOR YOU. 868 00:41:34,700 --> 00:41:37,286 NOW, IF YOU'LL EXCUSE ME. 869 00:41:39,830 --> 00:41:41,498 [GUNSHOT] 870 00:41:39,830 --> 00:41:41,498 AAH! 871 00:41:41,582 --> 00:41:44,210 HOLY COW! NICE SHOT, CAPTAIN. 872 00:41:44,293 --> 00:41:47,171 THANKS, BUT I WAS AIMING AT ONE OF THEM. 873 00:41:50,591 --> 00:41:52,760 NO ONE IS GOING ANYWHERE. 874 00:41:52,843 --> 00:41:54,595 YOU'RE BOTH UNDER ARREST. 875 00:41:54,678 --> 00:41:55,721 WAIT, CAPTAIN. 876 00:41:55,804 --> 00:41:58,265 NO WAY, SEÑORITA. 877 00:41:58,349 --> 00:42:00,559 I SHOULD HAVE THROWN YOU IN THE BRIG LONG AGO, 878 00:42:00,643 --> 00:42:04,063 BUT I WANTED TO FIND OUT HOW DEEP THIS TREACHERY RAN. 879 00:42:04,146 --> 00:42:06,023 YOU'RE A FOOL. 880 00:42:06,106 --> 00:42:08,108 Merrill: YES, FOOLISH ENOUGH NOT TO SEE YOU 881 00:42:08,192 --> 00:42:09,568 FOR WHO YOU REALLY ARE. 882 00:42:09,652 --> 00:42:12,363 DOCTOR, HOW CAN YOU LIVE WITH YOURSELF? 883 00:42:12,446 --> 00:42:13,906 I DON'T. 884 00:42:13,989 --> 00:42:16,951 I HAVE A ROOMMATE IN STUTTGART. 885 00:42:17,034 --> 00:42:18,744 CAPTAIN, WHAT'S GOING ON? 886 00:42:18,827 --> 00:42:20,579 WELL, WE CAUGHT OURSELVES A COUPLE OF NAZIS TRYING 887 00:42:20,663 --> 00:42:22,206 TO JUMP SHIP. 888 00:42:25,709 --> 00:42:27,795 WHAT IN SAM HILL? 889 00:42:27,878 --> 00:42:30,798 IF I KNEW I WAS HERE ALREADY, I WOULDN'T HAVE HURRIED. 890 00:42:30,881 --> 00:42:32,132 HOLY SMOKE. 891 00:42:32,216 --> 00:42:33,509 [CAMERA SHUTTER SNAPS] 892 00:42:34,843 --> 00:42:36,011 [GASPS] 893 00:42:36,095 --> 00:42:39,098 AS THEY SAID IN "GOUCHOS FROM RIO," 894 00:42:39,181 --> 00:42:41,850 "REACH FOR THE SKY, AMIGOS." 895 00:42:41,934 --> 00:42:43,852 HE'S NOT YOUR DOCTOR. 896 00:42:43,936 --> 00:42:46,981 HE IS KLAUS VON BONHEIM, 897 00:42:47,064 --> 00:42:49,984 NAZI AGENT AND A MASTER OF DISGUISE. 898 00:42:50,067 --> 00:42:52,194 YOU SHOULD SEE MY CARY GRANT. 899 00:42:52,278 --> 00:42:53,737 YOU'LL NEVER GET AWAY WITH THIS. 900 00:42:53,821 --> 00:42:55,823 YOUR THREATS ARE MEANINGLESS. 901 00:42:55,906 --> 00:42:59,785 AT THIS VERY MOMENT, A NAZI U-BOAT STANDS BY 902 00:42:59,868 --> 00:43:02,705 WAITING TO BLOW THIS SHIP SKY-HIGH. 903 00:43:02,788 --> 00:43:05,291 HA! THAT'S WHAT YOU THINK. 904 00:43:06,834 --> 00:43:10,170 AFTER YOU RADIOED OUR SHIP POSITION, 905 00:43:10,254 --> 00:43:14,967 I CHANGE OUR COURSE AWAY FROM THE WAITING U-BOAT. 906 00:43:15,050 --> 00:43:16,343 BUT WHY? 907 00:43:16,427 --> 00:43:18,512 BECAUSE I'M NOT WORKING FOR YOU, SMARTY PANTS. 908 00:43:18,596 --> 00:43:20,055 I'M WORKING FOR THEM. 909 00:43:20,139 --> 00:43:21,348 All: US? 910 00:43:21,432 --> 00:43:22,725 OH, YES. 911 00:43:22,808 --> 00:43:26,687 MY NAME IS REALLY JUANITA CORTEZ FROM TOPEKA, KANSAS. 912 00:43:26,770 --> 00:43:28,355 I AM A DOUBLE-AGENT. 913 00:43:28,439 --> 00:43:30,524 HOLY MOLEY. 914 00:43:30,607 --> 00:43:33,777 UH, WOULD ANYONE MIND IF I TAKE SOME NOTES? 915 00:43:33,861 --> 00:43:37,323 I FIXED THIS [SPEAKS SPANISH] 916 00:43:37,406 --> 00:43:39,533 WITH THE SIMPLE HELP OF A LITTLE MAGNET. 917 00:43:39,616 --> 00:43:41,869 MAGNET? UH-OH. 918 00:43:41,952 --> 00:43:44,872 CAPTAIN, LOOK -- A PERISCOPE OFF THE PORTSIDE. 919 00:43:47,750 --> 00:43:49,752 WHAT? 920 00:43:49,835 --> 00:43:51,337 BUT THAT IS IMPOSSIBLE. 921 00:43:51,420 --> 00:43:53,547 IT LOOKS LIKE SOMEBODY UNCROSSED 922 00:43:53,630 --> 00:43:56,258 YOUR DOUBLE CROSS. 923 00:43:59,136 --> 00:44:01,930 ♪ WHEN I FALL, I THINK I FALL FOR YOU ♪ 924 00:44:02,014 --> 00:44:04,058 ♪ I, YI, YI, YI ♪ 925 00:44:04,141 --> 00:44:05,601 ♪ Sií, sií, sií, sií ♪ 926 00:44:05,684 --> 00:44:07,227 ♪ I, YI, YI, YI ♪ 927 00:44:07,311 --> 00:44:11,690 ♪ I CAN SEE, SEE, SEE, SEE THAT YOU'RE FOR ME-E-E-E-E ♪ 928 00:44:11,774 --> 00:44:13,609 WHOO! 929 00:44:13,692 --> 00:44:18,405 [CHEERS AND APPLAUSE] 930 00:44:18,489 --> 00:44:20,366 OH, THANK YOU! THANK YOU! 931 00:44:20,449 --> 00:44:21,742 NOW THAT I'M A STAR, 932 00:44:21,825 --> 00:44:23,452 I WOULD LIKE TO THANK MY MOTHER AND MY FATHER -- 933 00:44:23,535 --> 00:44:24,620 HOLD IT, HOLD IT, HOLD IT, HOLD IT. 934 00:44:24,703 --> 00:44:26,080 THIS RADIO MESSAGE JUST CAME IN. 935 00:44:26,163 --> 00:44:28,540 THE WAR IS OVER. WE'RE GOING HOME! 936 00:44:28,624 --> 00:44:30,334 [CHEERS AND APPLAUSE] 937 00:44:33,504 --> 00:44:34,421 WOW. 938 00:44:34,505 --> 00:44:36,298 I GUESS THE GERMANS HEARD YOU WERE COMING OVER 939 00:44:36,382 --> 00:44:38,384 AND THEY THREW IN THE TOWEL. 940 00:44:38,467 --> 00:44:40,636 WELL, I MAY NOT BE SEEING ACTION, 941 00:44:40,719 --> 00:44:43,764 BUT I WILL BE BRINGING HOME A WAR BRIDE. 942 00:44:43,847 --> 00:44:45,557 CONGRATULATIONS! 943 00:44:45,641 --> 00:44:48,268 NO, IT CAN'T BE OVER. WHAT ABOUT MY CAREER? 944 00:44:51,563 --> 00:44:55,651 AS YOU SEE, MY U-BOAT HAS ARRIVED. 945 00:44:55,734 --> 00:44:58,028 WHEN WE LEFT PORT, I ASKED FOR A DEPTH CHARGE -- 946 00:44:58,112 --> 00:44:59,071 JUST ONE, 947 00:44:59,154 --> 00:45:00,823 JUST IN CASE. 948 00:45:00,906 --> 00:45:03,242 BUT, NO-O-O-O-O-O! 949 00:45:06,370 --> 00:45:07,788 THEY FIRED, CAPTAIN. 950 00:45:07,871 --> 00:45:10,207 THERE'S A TORPEDO HEADED STRAIGHT FOR US. 951 00:45:13,544 --> 00:45:15,629 BATTLE STATIONS! SOUND THE ALARM! 952 00:45:15,712 --> 00:45:17,423 PREPARE TO ABANDON SHIP! 953 00:45:17,506 --> 00:45:19,591 AUF WIEDERSEHEN! 954 00:45:24,847 --> 00:45:26,598 CAPTAIN! [ALL CHEERING] 955 00:45:26,682 --> 00:45:29,476 CAPTAIN, THE WAR IS OVER! THE WAR IS OVER! 956 00:45:29,560 --> 00:45:31,478 NOT FOR US, SOLDIER. 957 00:45:31,562 --> 00:45:34,815 THERE'S A TORPEDO ABOUT TO HIT THE SHIP BROADSIDE. 958 00:45:34,898 --> 00:45:36,316 HOLY TOLEDO. 959 00:45:36,400 --> 00:45:37,568 NO, "TORPEDO." 960 00:45:51,915 --> 00:45:58,964 ♪ O BEAUTIFUL FOR SPACIOUS SKIES ♪ 961 00:45:59,047 --> 00:46:04,678 ♪ FOR AMBER WAVES OF GRAIN ♪ -♪ FOR AMBER WAVES OF GRAIN ♪ 962 00:46:04,761 --> 00:46:11,018 All: ♪ FOR PURPLE MOUNTAINS MAJESTIES ♪ 963 00:46:11,101 --> 00:46:16,857 ♪ ABOVE THE FRUITED PLAIN ♪ 964 00:46:16,940 --> 00:46:20,110 ♪ AMERICA ♪ 965 00:46:20,194 --> 00:46:22,321 ♪ AMERICA ♪ 966 00:46:25,240 --> 00:46:26,158 [CLUNK] 967 00:46:26,241 --> 00:46:27,701 WHAT WAS THAT? 968 00:46:27,784 --> 00:46:30,370 "CLUNK"? 969 00:46:30,454 --> 00:46:31,455 A DUD. 970 00:46:32,831 --> 00:46:33,999 THE TORPEDO WAS A DUD! 971 00:46:34,082 --> 00:46:35,334 [ALL CHEERING] 972 00:46:35,417 --> 00:46:37,085 THE U-BOAT IS TURNING AROUND! 973 00:46:37,169 --> 00:46:39,087 THANK GOD! WE'RE SAVED! 974 00:46:39,171 --> 00:46:41,006 [ALL CHEERING WILDLY] 975 00:46:51,600 --> 00:46:53,435 ♪ ♪ 976 00:47:07,115 --> 00:47:07,908 [TV CLICKS] 977 00:47:07,115 --> 00:47:07,908 [SIGHS] 978 00:47:07,991 --> 00:47:10,911 AH. THOSE WERE THE DAYS. 979 00:47:10,994 --> 00:47:13,413 THE DAYS OF THE 10-CENT MATINEE, 980 00:47:13,497 --> 00:47:15,666 SATURDAY NIGHT DANCE, AND RUMBLE SEATS. 981 00:47:15,749 --> 00:47:17,042 WELL, LET'S NOT FORGET 982 00:47:17,125 --> 00:47:19,086 IT WAS ALSO THE TIME OF RATION STAMPS, 983 00:47:19,169 --> 00:47:21,255 AIR RAID DRILLS, AND PANTS THAT WRINKLED. 984 00:47:21,338 --> 00:47:22,589 YEAH. 985 00:47:22,673 --> 00:47:24,258 I ONLY HOPE THE DAY DOESN'T COME 986 00:47:24,341 --> 00:47:27,427 WHEN WE HAVE TO DRAFT PASSENGERS FOR THE PRINCESS. 987 00:47:27,511 --> 00:47:29,513 RIGHT, GOPHER? 988 00:47:30,889 --> 00:47:32,140 GOPHER. 989 00:47:30,889 --> 00:47:32,140 HUH, WHAT? 990 00:47:33,058 --> 00:47:34,268 MOVIE OVER? 991 00:47:34,351 --> 00:47:36,270 [KNOCK ON DOOR] 992 00:47:36,353 --> 00:47:38,063 COME IN. 993 00:47:38,146 --> 00:47:40,065 SORRY TO BOTHER YOU, CAPTAIN, BUT WE'RE READY TO SAIL. 994 00:47:40,148 --> 00:47:41,441 WHY, THANK YOU, MR. REYNOLDS. 995 00:47:41,525 --> 00:47:43,944 CHIP...WHAT ARE YOU DOING HERE? 996 00:47:44,027 --> 00:47:45,404 WHERE'S YOUR WIFE, JANET? 997 00:47:45,487 --> 00:47:47,990 I-I'M NOT MARRIED, SIR. AND MY NAME IS NOT CHIP. 998 00:47:50,409 --> 00:47:52,160 RIGHT. I KNEW THAT. 999 00:47:54,037 --> 00:47:56,331 JUST HAD YOU CONFUSED WITH ANOTHER WAR, SOLDIER. 1000 00:47:56,415 --> 00:47:57,499 UH, SAILOR. 1001 00:48:02,004 --> 00:48:03,630 IS HE ALL RIGHT? 1002 00:48:03,714 --> 00:48:06,174 NO. BUT HE'S HARMLESS.